Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself. In homage to an influence in his early career, McCarthy attempted to reconstruct a pair of pants worn by Black Panther revolutionary Eldridge Cleaver in a picture that appeared in Rolling Stone magazine in the 1970s. But in the process, McCarthy misremembered their original design of the pants, which had black outer panels and white inner panels in white, and left a black shape highlighted in the crotch area. Instead, McCarthy’s reconstruction divides the pants vertically in two black and white sections. McCarthy’s mistake speaks not only of the fallibility of memory but of a certain kind of queerness that resists any categorical—“black or white”—definition. Memory Mistake ’s use of aesthetic formalism, error, subjectivity, and social history can be seen to challenge the tropes of modernism and art history.
Known for his transgressive performance art pieces that often challenge social conventions, Paul McCarthy is undoubtedly one of the main figures in the West Coast contemporary art scene. Using different forms from pop culture as source material, McCarthy casts a critical look at American society and consumerism. With a particularly poignant sense humor, his works also investigate the intricacies of human psychology.
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...