Materia en Reposo II (Brasil)

2004 - Photography (Photography)

27,9 x 35,6 cm

Damián Ortega

location: Mexico City
location: Berlin
year born: 1967
gender: male
nationality: Mexican
home town: Mexico City, Mexico

Damián Ortega’s work explores specific economic, aesthetic and cultural situations and in particular how regional culture affects commodity consumption. He began his career as a political cartoonist and his art has the intellectual rigour and sense of playfulness often associated with his previous occupation. He first came to wider attention with Cosmic Thing at the 50th Venice Biennale in 2003, consisting of a Volkswagen beetle dismantled and suspended from the ceiling, an ironic deconstruction of a cult object of Mexico’s consumer society.


Colors:



Other related works, blended automatically

Sign series, #1, #2, #3
© » KADIST

Bjorn Copeland

2009

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Untitled (Ticket Roll)
© » KADIST

Gabriel Kuri

2010

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

2016

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

Higher Horse
© » KADIST

Kate Gilmore

2008

In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

1994

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...

Map (from Uncertain Pilgrimage), 2006-2009
© » KADIST

Gareth Moore

2006

Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...

Studio Construct 51
© » KADIST

Barbara Kasten

2008

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

2012

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...

Laissez-Faire (Rainbow Flag)
© » KADIST

Alexandre da Cunha

2010

In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

TWO MILLION (Hong Kong Dollar)
© » KADIST

Kwan Sheung Chi

2013

One Million is a video work depicting the counting of bills...

Execution Changes #22
© » KADIST

Julian Hoeber

2011

Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...

Eraser
© » KADIST

Will Rogan

2014

Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...

Converting
© » KADIST

Zai Kuning

2014

Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...

Towhead n’Ganga enclosed in darkness, lorded over by the sexualized folded high priestless form
© » KADIST

Mike Kelley

1996

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

2010

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...

Sound of Ice Melting
© » KADIST

Paul Kos

1970

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

Portrait: Cover and Clean
© » KADIST

Qiu Anxiong

2011

A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...

A Slap in Wuhan
© » KADIST

Li Liao

2010

A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011...