27,9 x 35,6 cm
Damián Ortega’s work explores specific economic, aesthetic and cultural situations and in particular how regional culture affects commodity consumption. He began his career as a political cartoonist and his art has the intellectual rigour and sense of playfulness often associated with his previous occupation. He first came to wider attention with Cosmic Thing at the 50th Venice Biennale in 2003, consisting of a Volkswagen beetle dismantled and suspended from the ceiling, an ironic deconstruction of a cult object of Mexico’s consumer society.
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Gabriel Orozco often documents found situations in the natural or urban landscape...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain...