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The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...

For the last two years, Mexico-City based artist Carlos Amorales has been developing a series of works in relation to what he calls “Cubismo ideológico”...

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Concerning his objects, Pozarek often relies on chance to guide him...

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...

Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...

The curator and writer Juana Berrío will follow the process of «room for us» in order to identify particular concepts addressed during the discursive events and series of workshops...

Mateo Lopez uses paper as a medium to conjure personal experiences...

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...

The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...

Title, Theme Announced for Sixth Aichi Triennale – Artforum Read Next: ART BASEL REVEALS EXHIBITOR LIST FOR 2024 SWISS FAIR Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

BOMB Magazine | Yu-Wen Wu Interviewed Necessary (Required) Cookies that the site cannot function properly without...

Marcelo Cidade interrogates the city, architecture and urban planning...

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...

Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...

Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...

Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...