London calendar

2006 - Drawing & Print (Drawing & Print)

Rivane Neuenschwander

location: Brazil
year born: 1967
gender: female
nationality: Brazilian
home town: Brazil

Rivane Neuenschwander’s work foregrounds its inventive use of materials, often altering and manipulating them in novel ways: snails eat through rice paper, fish carry pieces of love letters, and prayer ribbons leave on museum visitors’ wrists. All of her projects—which are comprised of photography, film, or installation—refer back to cycles of human interaction, consumption, and sentiment.


Colors:



Related works featuring themes of: » Abstract Photography, » Appropriation Art, » Art That Plays With Scale, » Brazil, » Chance, » Brazilian

Periquitos (Parakeets)
© » KADIST

Marepe

2007

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture...

Sobre la igualdad y las diferencias: casas gemelas
© » KADIST

Carla Zaccagnini

2005

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...

Untitled (Schindler House, #01)
© » KADIST

Luisa Lambri

2007

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Baobab
© » KADIST

Tacita Dean

2001

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910)
© » KADIST

Walead Beshty

2010

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...

Abuso de poder (Abuse of Power)
© » KADIST

Marcelo Cidade

2010

Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...

I used to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance
© » KADIST

Daniel Joseph Martinez

1978

For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...

450 Hayes Street (excavation site)
© » KADIST

Marcelo Cidade

2014

450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...

Office Work
© » KADIST

Walead Beshty

2018

Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...

Lightning
© » KADIST

Paul Kos

1976

Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon...

Untitled (Governor of Ohio Judson Harmon), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Untitled Inkblot Drawing (CT-1491)
© » KADIST

Bruce Conner

1995

Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...

Untitled
© » KADIST

Fernanda Gomes

2013

For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...

Impossible Accomplishment or the power as addition of seductions 2
© » KADIST

Marcelo Cidade

2006

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

A meditation on the possibility…
© » KADIST

Daniel Joseph Martinez

2005

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...