200H x 140W centimeters
Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations. He often employs and alters clocks, using them as metaphors for human relationships. Light Years (2008) consists of 12 measuring tapes of different lengths, radiating out elliptically from a central mounting point on the wall. It is a literal reference to the hands on a clock and to progressive durations of time, with the length of each tape increasing as they go clockwise in a circle. The piece is also referencing art historical works such as Marcel Duchamp’s painting Network of Stoppages (1914). But unlike in Duchamp’s work, there are no “stoppages” here; rather, time is presented as a linear flow.
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...
Foreigners Everywhere is a series of neon signs in several different languages...
Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...