Les Fleurs d’intérieur

2009 - Sculpture (Sculpture)

Danh Vo

location: Berlin, Germany
year born: 1975
gender: male
nationality: Vietnamese and Danish
home town: Ba Ria, Vietnam

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.


Danh Vo’s personal history of migration and adjustment is an important reference point for his artistic practice. In his work, he explores themes ranging from identity, authorship, sexuality, and ownership to origin. He uses intimate, personal material to show that identity is a construction of projections, assumptions and attributed values. Vo embarks upon a subtle investigation of the Western fascination for the exotic and unknown with an exquisite conceptual style. For Vo, appropriating the history of others is a way of unraveling monolithic ideas about identity. And he does so with great verve, generally initiating the journey with himself. In addition to his classifiable works, a certain mystified aura lingers around his actions: the artist has married, and subsequently divorced numerous people simply to add their names to his list, he has committed “crimes” later displaying their documentation as show, for example. In his installations he uses objects, photos and documentation that connects his family history to real memories intertwined with a complex imaginary. His refugee status has led him to attempt to reconstruct various derivations of identities, origins, and stories. This requires the questioning of social structures, the endorsement of different identities, the questioning of values, and the undermining of conventions in order set forth a groundwork for his personal depiction in the world of society at large. Born in 1975, Danh Vo is a Danish artist with Vietnamese origins. He lives and works in Berlin.


Colors:



Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Memorial for intersection #2
© » KADIST

Amalia Pica

2013

Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...

Other related works, blended automatically  
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Good Life
© » KADIST

Danh Vo

2007

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo...

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

2016

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...

Related works sharing similar palette  
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Danh Vo, Where The Lions Are
© » KADIST

This publication was conceived on the occassion of the exhibition: Danh Vo, “Where The Lions Are” June 11- August 23, 2009 at the Kunsthalle Basel...

British Museum Launches Website To Recover Internally Stolen Artefacts
© » ARTLYST

Last August, 1,200 to 2,000 valuable objects were reported "missing, stolen or damaged" by officials at the British Museum...

The top ArtsEquator articles of 2019
© » ARTS EQUATOR

The top ArtsEquator articles of 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography December 31, 2019 Here’s a list of the top 10 ArtsEquator articles in 2019: Enter Stage Right: Tay Tong by Art sEquator “It is amazing how one’s identity is so associated with one’s job...

Em'kal Eyongakpa: "Negotiations" Chapter 1: Dualaland - Paris
© » KADIST

Em’ kal Eyongakpa approaches the experienced, the unknown as well as collective histories, through a ritual use of repetitions and transformation...

Related works from the » 2000's created around » Berlin, Germany  
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The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

2004

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

2002

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Corrupted file from page 14, (V1)
© » KADIST

Alessandro Balteo Yazbeck

2008

Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...

Other works by: » Danh Vo  
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Good Life
© » KADIST

Danh Vo

2007

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo...

Related works found in the same semantic group  
» see more

Christie’s Sale of Items From Art Collector Adam Lindemann Makes $31.5 M. - via ARTnews
© » LARRY'S LIST

Part of the proceeds from the auctions are going to the Rockefeller Wing at the Met....

Art Collector and Credit Suisse Head José Olympio da Veiga Pereira Is the New President of São Paulo Biennial Foundation - via The Art Newspaper
© » LARRY'S LIST

The organisation oversees the city’s international exhibition, as well as the country’s representation at the Venice Biennale and other projects...