101 x 62.5 cm.
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin. The in situ motif becomes a motive of situation to materialize a certain idea of the movement. Her work is a form of thought about written language transformed into a sculpted piece.
The works of Chloé Quenum draw their inspirations and forms across multiple fields and cultural domains. She appropriates them in order to shift uses and generate new formal and symbolic identities. Recently, the artist traveled to West Africa where she became interested in the relationship between weaving techniques and their symbolic correspondence in terms of narratives and codification.
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L’art protéiforme de Gerhard Richter essaime en Suisse Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Silsersee, Maloja (Lake Sils, Maloja) » (1992), de Gerhard Richter...
Misting Miner is a vapor sculpture by Alexey Buldakov from the Urban Fauna Lab collective that gives material form to the invisible phenomenon of mining cryptocurrency...