101 x 62.5 cm.
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin. The in situ motif becomes a motive of situation to materialize a certain idea of the movement. Her work is a form of thought about written language transformed into a sculpted piece.
The works of Chloé Quenum draw their inspirations and forms across multiple fields and cultural domains. She appropriates them in order to shift uses and generate new formal and symbolic identities. Recently, the artist traveled to West Africa where she became interested in the relationship between weaving techniques and their symbolic correspondence in terms of narratives and codification.
The plants in the Voynich Manuscript | Exhibition | IMA ONLINE The plants in the Voynich Manuscript 1 August 2019 - 31 August 2019 IMA gallery TAGS IMA gallery Harumi Shimizu Share Through her many journeys to foreign lands, Harumi Shimizu has been capturing the lives, the culture and the history of the people in these unfamiliar places and has thus reconstructed new narratives through her photographs...
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
This untitled painting by Tirdad Hasemi presents a space that can be thought of as both a prison cell and a house...