La Loge Harlem

2017 - Sculpture (Sculpture)

96.5H x 76.2W x 15D cm (38 x 30 x 5.9 inches)

Abigail DeVille


The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years. It was a playground for the rich in the 19th century and where Old New York had its summer homes and diversions. The center image is a portrait of the artist’s grandmother when she was 16 in 1949. She and her mother were a part of the Great Migration moving to Harlem in 1943 from Richmond, VA. The glass and images are in reference on racist policing polices and a theory called Broken Windows that started in the early 1980s and which is implemented by the NYPD till today. In practice, Broken Windows has come to be synonymous with misdemeanor arrests and summonses. In New York, the largest city to implement the practice, between 2010 and 2015, police issued 1.8 million quality of life summonses for offenses like disorderly conduct, public urination, and drinking or possessing small amounts of marijuana.


African American artist Abigail DeVille’s large sculptures and installations reflect on social and cultural oppression, racial identity, and discrimination in American history. She received her MFA from Yale University 2011 and her BFA from the Fashion Institute of Technology in 2007. Recent exhibitions include Harlem: Found Ways. Cooper Gallery at Hutchins Center, Harvard University, Cambridge, MA (2017); Urban Planning: Contemporary Art and the City 1967-2017, Contemporary Art Museum St. Louis, MO (2017) and The Intersectional Self, The Studio Museum in Harlem, New York, NY (2012).


Colors:



Domes, #1
© » KADIST

Judy Chicago

1969

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...

Perpetual Motion Two
© » KADIST

Diana Thater

2005

In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...

Flutter
© » KADIST

Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

Sal Sem Carne
© » KADIST

Cildo Meireles

1975

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...

Serious Games 3, Immersion
© » KADIST

Harun Farocki

2009

For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...

First Born
© » KADIST

Rachel Rose

2019

First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...

Untitled (San Francisco)
© » KADIST

Edward Kienholz

1984

Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...

Knight #6
© » KADIST

Karl Haendel

2011

Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...

Hydroforce
© » KADIST

Liz Cohen

2011

From among a cloud of fake smoke we see a heavily pregnant Cohen wearing a bikini and golden stilettos with lace-up straps wrapped around her legs, grasping onto the frame of a modified car as its loud hydraulic system clumsily moves it up and down...

Ghost games
© » KADIST

Anri Sala

2002

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

Plug the well ( July / August 2003)
© » KADIST

Keith Tyson

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...

Suspension
© » KADIST

Sebastián Díaz Morales

2014

In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...

Untitled (Untitled Passport II)
© » KADIST

Colter Jacobsen

2010

The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...

Frontier-Linear
© » KADIST

Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

The End One
© » KADIST

Raymond Pettibon

2005

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Untitled (Superman)
© » KADIST

Raymond Pettibon

2005

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Pasajes I
© » KADIST

Sebastián Díaz Morales

2012

Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...