14:39 minutes
Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos. This video work exemplifies a new, global wave of queering tradition, indigenous references and international pop/post-internet esthetics. In this short video, a Chinese-American restaurant worker falls in love with an 18th century Qing dynasty god of gay lovers who visits him at night and leads him on a journey of sexual awakening and self discovery. In Chinese mythology, the Rabbit God first appears in a collection of folktales during the 18th century. In the story, a soldier falls in love with his commanding officer and professes his affection for him. As punishment, the commanding officer sentences the soldier to death. But the gods of the underworld, in their infinite wisdom, forgive him for his “crime of passion” and transform him into the Rabbit God, the savior of men who love men. In the film, the Rabbit God serves as the liberator of the film’s main character, otherwise portrayed as an obedient son working in his family’s business, challenging him to embrace his sexuality. He allows him to engage in the physical intimacy that he has been too ashamed to express. “He’s there for all the queer Asian kids who never thought they were worth anything,” Huang says.
Andrew Thomas Huang is one of the most original upcoming film makers working at the intersection of tradition, spirituality, non-Western imaginary, queerness, and digital fantasies and technical possibilities. His filmic and pop background makes his work more compelling and accomplished than that of many peers working exclusively in the visual arts world. With a passion for interweaving queer Asian immigrant stories with folklore and mythology, LA-based filmmaker Andrew Thomas Huang combines his lifelong fascination with puppetry, VFX and animation to craft hybrid fantasy worlds. He has directed Grammy-nominated music videos for Bjork, Radiohead’s Thom Yorke and FKA Twigs among others. Serving as creative director for Bjork’s VR exhibition Bjork Digital, Huang created multiple immersive experiences for the pioneering traveling installation.
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
October 9 – October 12, 2013 In this workshop, Nicolás Paris, in collaboration with architect Max Turnheim, invite a group of architecture and landscape students to think about new potential relationships that could be generated inside and outside the exhibition space to transform its everyday use...
Ghost 1: Drowning is not a poem but is not not a poem either by Jota Mombaça is part of a series of sculptures exploring water’s restless, elemental properties and what the artist describes as “the radicality of sinking”...
Weekly Picks: Indonesia (25 June - 1 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia June 25, 2018 Top Picks of Indonesia art events in Bali and Jakarta from 25 June – 1 July 2018 What would cultural heritage look like beyond the western perspective? Journey around East Timor’s Local Heritage is a lecture by Dominique Guillaud that looks at Atauro Island, an island in East Timor, and its heritage...
Versailles à la Cité interdite de Pékin, une exposition diplomatique Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « La Foire de la ville de Nankin » (1761), de Marie Leszczynska, avec la collaboration de différents peintres...
Rediscovered Rembrandt Portraits May Be the Artist’s Smallest Paintings Skip to content Rembrandt Harmenszoon van Rijn, portraits of Jan van der Pluym and Jaapgen Caerlsdr (1635), oil on panel, each 7 7/8 x 6 1/2 inches (all photos by Olivier Middendorp, courtesy Rijksmuseum) Emerging from private holdings for the first time in nearly two centuries, a rediscovered pair of Rembrandt portraits is now on a long-term loan for public display at the Rijksmuseum in Amsterdam...
Does new M+ exhibition based on East Asian ink landscape paintings go too far or not far enough? | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “(All is) non-hierarchical” (2022), a ceramic sculpture by Macanese artist Heidi Lau, at “Shanshui: Echoes and Signals”, the new exhibition at Hong Kong’s M+ museum of visual culture based on East Asian ink landscape paintings...
Weekly Picks: Malaysia (17–23 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 17, 2018 Mishaps & Mistletoe, at Intunnation, 18 Dec, 8pm Time for some poetry and music with open mic series Jack It, featuring Singaporean spoken word performer Stephanie Dogfoot, and queer band Tingtongketz...
How Paño Arte Becomes Artepaño Skip to content Unidentified artist, “SanAnto” (date unknown), ink on cotton, 15 x 15 inches (all photos by Reno Leplat-Torti, courtesy the Reno-Leplat-Torti Collection) If paño arte is the private-facing practice of artists serving time in penitentiaries across the United States, then artepaño encompasses the afterlife of the artifact...