14:39 minutes
Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos. This video work exemplifies a new, global wave of queering tradition, indigenous references and international pop/post-internet esthetics. In this short video, a Chinese-American restaurant worker falls in love with an 18th century Qing dynasty god of gay lovers who visits him at night and leads him on a journey of sexual awakening and self discovery. In Chinese mythology, the Rabbit God first appears in a collection of folktales during the 18th century. In the story, a soldier falls in love with his commanding officer and professes his affection for him. As punishment, the commanding officer sentences the soldier to death. But the gods of the underworld, in their infinite wisdom, forgive him for his “crime of passion” and transform him into the Rabbit God, the savior of men who love men. In the film, the Rabbit God serves as the liberator of the film’s main character, otherwise portrayed as an obedient son working in his family’s business, challenging him to embrace his sexuality. He allows him to engage in the physical intimacy that he has been too ashamed to express. “He’s there for all the queer Asian kids who never thought they were worth anything,” Huang says.
Andrew Thomas Huang is one of the most original upcoming film makers working at the intersection of tradition, spirituality, non-Western imaginary, queerness, and digital fantasies and technical possibilities. His filmic and pop background makes his work more compelling and accomplished than that of many peers working exclusively in the visual arts world. With a passion for interweaving queer Asian immigrant stories with folklore and mythology, LA-based filmmaker Andrew Thomas Huang combines his lifelong fascination with puppetry, VFX and animation to craft hybrid fantasy worlds. He has directed Grammy-nominated music videos for Bjork, Radiohead’s Thom Yorke and FKA Twigs among others. Serving as creative director for Bjork’s VR exhibition Bjork Digital, Huang created multiple immersive experiences for the pioneering traveling installation.
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
OIWA - The Ghost of Yotsuya: Primal story of love, or the failures of it | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Arts House Limited June 5, 2021 An epic set, an epic story, and epic four years of painstaking training is one way to describe The Finger Players’ OIWA – The Ghost of Yotsuya, an aching horror story that retells the classic tale of vengeance revolving around a jilted woman...
Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
Year of the Dragon 2024: it’s not just Chinese who revere the mythical beasts – 4 other cultures that celebrate them | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from the Yellow Dragon robe worn by emperors of China’s Qing dynasty...