120 x 88 cm
Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography. It’s Not Easy Being Seen 2 is from a series of photographs depicting women who are otherwise unnoticed by the public. In this work, her subject is obscured by a bright, green fabric (also referred to as a morph suit) that uses the concept of green screen technology to conceal identity. The green screen allows the viewer to project their own perceptions of identity onto the subject, effectively rendering them invisible. Al Qasimi also interrupts the viewer’s search for identity by masking characteristic traits of her subject, such as eyes, face, and body. The artist toys with the idea that the women in her work want to be seen, and known, but this is impossible when covered in a fabric that makes them imperceivable. The social concept of ‘being seen’ is a Western concept still finding its footing in Arab culture. The artist explains that the culture of the UAE, where personal photography still hasn’t completely saturated social trends and customs, has a distinct relationship to visibility. While this is changing with the popularity of smartphones and Instagram, Al Qasimi maintains that it’s still generally considered inappropriate to take people’s photos without their permission in the Gulf Arab states Many people would prefer to remain anonymous, even when they have consented to take their picture. The artist notes that even as young people in the UAE participate in the rising popularity of social media, they are still keen to preserve their anonymity, often by obscuring their faces in some form. With respect to the cultural traditions and the desire for personal anonymity in the Gulf Arab states, Al Qasimi’s photographs critically consider how it is possible to produce an accurate and authentic portrait of someone, while still concealing their physical identity.
Working primarily with photography, video and performance, Farah Al Qasimi examines postcolonial structures of power, gender, and taste in the Gulf Arab states. Dividing her time between Dubai and New York, Al Qasimi has integrated her practice as a social critique and observation of the layered aspects of each place indirectly. Through her bold and vibrant photographs, she explores the unspoken social norms and values embedded in a place, a moment, or an object. Creating work that confront commonplace notions of figurative photography and portraiture, Al Qasimi’s works challenge the viewer to consider their own understanding of reality, aspiration, individuality, and the reflected image.
10 Artists to Discover in Foundations Winter 2024 | Artsy Skip to Main Content Art 10 Artists to Discover in Foundations Winter 2024 Artsy Editorial Jan 23, 2024 2:00PM Foundations is Artsy’s seasonal online fair spotlighting fresh works from galleries known for spotting and nurturing rising talent...
Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Morvarid K — This too Shall Pass Exposition Photographie Vue de l’exposition Morvarid K, This too Shall Pass, 2023 © D...
Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 Exposition Céramique, dessin, sculpture Marc Chagall, Maquette pour le plafond de l’Opéra Garnier, 1963 Encre de Chine, mine graphite et feutre sur papier découpé — Diamètre : 33,5 cm Don de Mme Meret Meyer, 2022 Chagall à l’œuvre Dessins, céramiques et sculptures 1945-1970 Encore 3 mois : 4 octobre 2023 → 26 février 2024 L’exposition réunit un ensemble d’œuvres entrées en collection en 2022 grâce à la générosité de Bella et Meret Meyer...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Will 2023 Box Office Hit $9 Billion? Will 2023 Box Office Hit $9 Billion? × Dec 17, 2023 2:02pm PT With 8 Movies Left to Debut in December, Where Will the 2023 Box Office End Up? By Rebecca Rubin Plus Icon Rebecca Rubin Film and Media Reporter rebeccaarubin Latest With 8 Movies Left to Debut in December, Where Will the 2023 Box Office End Up? 21 hours ago Box Office: Timothée Chalamet’s ‘Wonka’ Surpasses $150 Million Globally 1 day ago Jonathan Majors’ Ex-Girlfriend Testifies on Injuries After Alleged Assault: ‘I Felt Like I Had Been Hit by a Bus’ 2 weeks ago See All ©Warner Bros/Courtesy Everett Collection Will the box office hit $9 billion in 2023? Analysts have predicted, or at least hoped, that’s where domestic grosses would wind up...
Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance...
$4 thrift-store vase sells for $107,100 at auction Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news $4 thrift-store vase sells for $107,100 at auction It turns out the glass vessel is a rare example of a 1940s Venini piece designed by the architect Carlo Scarpa Theo Belci 14 December 2023 Share Venini vase designed by Carlo Scarpa (around 1947) Courtesy Wright Auction House An Italian glass vase, purchased for $4 at a thrift store in Richmond, Virginia, fetched $107,100 (including buyer’s fee) on 13 December at Wright Auction House...
Carolee Schneemann: Of Course You Can/Don’t You Dare at PPOW Gallery advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 Carolee Schneemann: Of Course You Can/Don’t You Dare at PPOW Gallery Installation view, Carolee Schneemann: Of Course You Can/Don’t You Dare at PPOW Gallery...
Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach...
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WINDOW by ATTEMPTS: A click away | ArtsEquator Skip to content What is this show? Rei Poh (Rei): During the Circuit Breaker when we had a sudden lockdown, we decided to start online game nights where we could just play games, and actually give ourselves a reason to check in with one another, make sure everybody is okay...