After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.
Chen Shaoxiong, was a founding member—along with Lin Yilin and Liang Juhui (and later Xu Tan)—of the well-known artist collective “Big Tail Elephant” which arose in response to the rapid urbanization od Guangzhou in the early 1990s. The group created a large body of multimedia work including performance, photography, video, installation, and paintings. In his solo work, Chen focuses his efforts on the new forms of perception of urban visions and life imposed by the age of information and global travel. Using both new media, like photography and video, and more traditional forms like painting, he produces ironic and uncanny images of a new reality and its constant negotiation between reality and fiction, memory and imagination, past, present and future.
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...