220 x 75 cm.
Immolation I is taken from the four-part Immolation series which shows four Arab revolutionaries who publicly sacrificed themselves through self-immolation and in so doing heralded the beginning of the Arab Spring. The lugubrious drawings are made with cigarette burns, a direct reference to torture and burning stakes, even if what is depicted here can be considered the ultimate act of resistance in the form of self-destruction. The portraits were meticulously executed on large-scale fragile sheets of paper. They present horribly detailed images imbued with paradoxical power. The burning male figures — Mohamed Bouazizi from Tunisia, Ahmad Hachem as-Sayyed from Egypt, Ahmad al-Matarneh from Jordan and Hamza Al-Khatib from Syria — surrounded by flames, seem to be consumed by an incessant torture; the burn holes through the paper show a trajectory of scars. Here, Tretiakoff presents the disconnection between political religiosity and resistance. The immolations are part of a broader body of work consisting of drawings graphics, photographs and burnt paper, revisiting The Red Line Agreement. Tretiakoff goes back to the secret meeting in the Royal Palace Hotel in Ostend, Belgium in 1928 when 3 men decided they would divide up the world between them. Merging the 3 biggest oil companies at the time, they sealed the fate of the world for a long time to come. Mirroring them to revolutionaries of the Arab world, Tretiakoff creates a chilling dispositive, wherein the geopolitical touches the intimate, with an eerie proximity of the body.
The work of French filmmaker David Gheron Tretiakoff often revolves around the socio-political movements of the Middle East. Seeking to avoid a journalistic didacticism, he instead looks to reveal the psycho-social impact of national oppression, international terrorism and the reverberations of history. His work intentionally leaves the viewer feeling uneasy as he exposes the inherent contradictions of habituation and resistance that inhabit such situations. One of his seminal works, A God Passing (2007) documents the statue of Ramses travelling from Cairo to a new museum on the Giza Plateau shortly before the Arab Spring. As crowds of people flood the street and the scene descends into chaos, we retrospectively realize that we are baring witness to one of the first moments of the people taking stock of their own power, as the authorities stand by helpless and we’re left wondering, did Ramses catalyze the Arab Spring?
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Fabienne Verdier — Horizons et Chênes-lièges Exhibition Painting Fabienne Verdier, Chêne-liège #4, 2023 Pastel gras et pastel sec sur vélin d’Arches teinté — 49 × 28 cm Courtesy de l’artiste et galerie Lelong & Co...
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Jesse Darling Takes 2023 Turner Prize for Exposing Decay in 'Great' Britain - FAD Magazine Skip to content By Mark Westall • 6 December 2023 Share — Jesse Darling wins Turner Prize 2023, as we called it back in September ( Who should win the Turner Prize 2023 ), the winner of the £25,000 prize was announced last night at a ceremony presented by Tinie Tempah at Eastbourne’s Winter Garden, adjacent to Towner Eastbourne, the hosts of this year’s prize...
Cultural Changes at the Coldest Place on Earth — A Photo Story from Yakutsk - Photographs by Alex Vasyliev | Essay by Marigold Warner | LensCulture Feature Cultural Changes at the Coldest Place on Earth — A Photo Story from Yakutsk Photographer Alexey Vasyliev offers an intimate look into the life and changing culture of the Evens, an indigenous tribe in his hometown of Yakutsk — one of the coldest places on Earth...
Weekly Picks: Malaysia (23 July – 29 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Malaysia July 23, 2018 Caravaggio Art Talk 3, at Balai Seni Negara, 25 July, 11am In conjunction with the Caravaggio Opera Omnia exhibition, art expert Sabiana Paoli will be providing audience members insights to Caravaggio’s most significant works made in Rome, Malta, Naples and Sicily...