If Only God Had Invented Coca Cola Sooner! Or, The Death of My Pet Monkey
2004 - Drawing & Print (Drawing & Print)
Daniel Joseph Martinez
For more than three decades, the Los Angeles–based artist Daniel Joseph Martinez has used every art medium at his disposal to investigate raw aspects of American culture, dipping adeptly into derangements of body and brain, individual and society. In one well-known piece that he produced for the 1993 Whitney Biennial, he replaced the text on the museum’s admission ticket with the phrase “I Can’t Ever Imagine Wanting to Be White.” Visitors held the sentiment in their hands and kept it in their pockets. In The House America Built (2004), he re-created in exacting detail the cabin in which the Unabomber penned his manifesto. While Martinez’s concepts are tight and concise, they leave ample space to implicate the viewer. His work prompts more than finger pointing; it catalyzes introspection, signaling the necessity of taking stock of one’s own role in perpetuating difficult yet ubiquitous images.
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Other related works, blended automatically
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Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
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Shilpa Gupta
2014These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
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Enrique Ramirez
2017Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
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Claudia Joskowicz
2014Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
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Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
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Mungo Thomson
2008The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
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Hank Willis Thomas
2012Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
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Yto Barrada
2004In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
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Rivane Neuenschwander
2007Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
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Shilpa Gupta
2009In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...
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Claudia Joskowicz
2007The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
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Hank Willis Thomas
2012Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
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Bani Abidi
2008The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
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Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
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Edward Kienholz
1984Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...