30 min
Following Bruce Nauman’s seminal performance Walking in an Exaggerated Manner Around the Perimeter of a Square (1967) – which sees the artist carefully trace a small delimited area of his studio exaggerating the movements of his hips as he places one foot in front of the other – Idir reproduces these performative gestures in Algiers, Algeria. Idir continues the artist’s previous work on ‘hittistes’, which translates as someone who spends their day with their back to the wall, the city’s unemployed and the gestures proper to them. In collaboration with cinematographer Babette Mangolte, Carole Douillard’s performance takes place across three emblematic sites within the city: Bab El Oued, Les Sablettes and Diar Es Saâda. Drawing on the history of performance, the film interrogates the gendered codes of navigating public space as well as the ways in which the performer is observed and scrutinised by passers by.
Carole Douillard Kabyle-French artist Carole Douillard uses the presence of figures, be it her own, or of performers, to produce sculptural works within space. She describes her work as being on the ‘edge of the spectacular’ all the while avoiding a descent into spectacularization. She analyses the power relations at play in the performative space, between object and contemplation, spectator and performer. Supplemented with documents, photographs and videos, her performance work interrogates the ways in which bodies navigate different spaces and the various forces of freedom and oppression that operate on them. Babette Mangolte Born in France and based in New York since 1970, filmmaker Babette Mangolte has been documenting performative and choreographic works throughout her career. A key figure in experimental filmmaking, she collaborated with filmmaker Chantal Ackerman throughout the 1970s and has produced photographic and film records of performances with Trisha Brown, Yvonne Rainer, Simone Forti, Steve Paxton, and others connected with the Judson Dance Theater as well as the opera of Robert Wilson and Philip Glass Einstein on the Beach.
buZ Blurr, One Telling of the “Origin Story” at Straat Museum Amsterdam | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the shifting culturescapes of urban contemporary art, STRAAT Museum’s latest exhibition, “Moniker: An Origin Story,” emerges as a poignant narrative that bridges the transient heritage of hobo monikers with the vibrant pulse of today’s street art scene...
50 Years Ago, Barbara Nessim Broke Illustration’s Glass Ceiling Skip to content Barbara Nessim, “A Maze From Above” (1970), pen and ink and watercolor on paper, 14 x 10 1/4 inches (all images courtesy Derek Eller Gallery unless noted otherwise) Artist, illustrator, and designer Barbara Nessim is one of very few women who found full-time work in the American editorial and commercial arts sphere during the 1960s...
ArtsEquator's Top 10 Picks at the Performing Arts Meeting 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles José Maceda, Cassettes 100, 1971, Photo by Nathaniel Gutierrez, Courtesy of UP Center for Ethnomusicology and Ringo Bunoan January 10, 2019 Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
The series The Memory of Trees is specifically about trees, and what trees have witnessed in South Africa: for example, trees that were used as locations for slave trading, or trees that was during the anti-Apartheid struggle as a kind of identifier for a safe house for activists who were fleeing from security forces...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
Bhanwari and Lichhma from the Balika Mela series by Gauri Gill explores human expression through the medium of photography, bringing questions of agency, the role of photography, and feminism together through its portraits of adolescent girls from rural Rajasthan, India...
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
The Bolotnaya Battle Park Complex is the future home for the Museum of Russian History (M...
Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...
Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Morvarid K — This too Shall Pass Exposition Photographie Vue de l’exposition Morvarid K, This too Shall Pass, 2023 © D...
Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...
“Dark Clouds Of The Future” is a cinematographic video animation of the abandoned gold mine in Brazil, Serra Pelada (“Naked Mountain”)...