30 min
Following Bruce Nauman’s seminal performance Walking in an Exaggerated Manner Around the Perimeter of a Square (1967) – which sees the artist carefully trace a small delimited area of his studio exaggerating the movements of his hips as he places one foot in front of the other – Idir reproduces these performative gestures in Algiers, Algeria. Idir continues the artist’s previous work on ‘hittistes’, which translates as someone who spends their day with their back to the wall, the city’s unemployed and the gestures proper to them. In collaboration with cinematographer Babette Mangolte, Carole Douillard’s performance takes place across three emblematic sites within the city: Bab El Oued, Les Sablettes and Diar Es Saâda. Drawing on the history of performance, the film interrogates the gendered codes of navigating public space as well as the ways in which the performer is observed and scrutinised by passers by.
Carole Douillard Kabyle-French artist Carole Douillard uses the presence of figures, be it her own, or of performers, to produce sculptural works within space. She describes her work as being on the ‘edge of the spectacular’ all the while avoiding a descent into spectacularization. She analyses the power relations at play in the performative space, between object and contemplation, spectator and performer. Supplemented with documents, photographs and videos, her performance work interrogates the ways in which bodies navigate different spaces and the various forces of freedom and oppression that operate on them. Babette Mangolte Born in France and based in New York since 1970, filmmaker Babette Mangolte has been documenting performative and choreographic works throughout her career. A key figure in experimental filmmaking, she collaborated with filmmaker Chantal Ackerman throughout the 1970s and has produced photographic and film records of performances with Trisha Brown, Yvonne Rainer, Simone Forti, Steve Paxton, and others connected with the Judson Dance Theater as well as the opera of Robert Wilson and Philip Glass Einstein on the Beach.
buZ Blurr, One Telling of the “Origin Story” at Straat Museum Amsterdam | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the shifting culturescapes of urban contemporary art, STRAAT Museum’s latest exhibition, “Moniker: An Origin Story,” emerges as a poignant narrative that bridges the transient heritage of hobo monikers with the vibrant pulse of today’s street art scene...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
6pm – Les Statues Meurent Aussi (1953) 7pm – It for Others (2013) The second in a monthly series of double features exploring the relationship between cinema and contemporary video and performance art, Kadist screens Chris Marker and Alain Resnais’ 1953 film, Les Statues Meurent Aussi (Statues Also Die) (1953) and Duncan Campbell’s Turner Prize -winning film It for Others (2013)...
Transgression, triggers, and the thousand cuts of “Blunt Knife” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of the artist June 25, 2019 By Corrie Tan (2,700 words, 13 -minute read) Content Warning: Mentions of a sexual relationship involving a teenager This response contains major spoilers for Blunt Knife by Eng Kai Er and A Doll’s House by Theatre of Europe...
Weekly Picks: Singapore (1 - 7 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 1, 2019 SOTA Open House 2019, School of the Arts, 6 April, 9am – 4pm Unleash your child’s creative potential at SOTA Open House 2019 Want to learn more about the arts-enhanced education in SOTA? Join us on Apr 6, 2019 (Saturday), 9am to 4pm, at the SOTA Open House for tours of our vibrant campus, talks with teachers and students, and hands-on demonstrations...
Bhanwari and Lichhma from the Balika Mela series by Gauri Gill explores human expression through the medium of photography, bringing questions of agency, the role of photography, and feminism together through its portraits of adolescent girls from rural Rajasthan, India...
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...
Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Morvarid K — This too Shall Pass Exposition Photographie Vue de l’exposition Morvarid K, This too Shall Pass, 2023 © D...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness...
Morvarid K — This too Shall Pass — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Morvarid K — This too Shall Pass — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Morvarid K — This too Shall Pass Exhibition Photography Vue de l’exposition Morvarid K, This too Shall Pass, 2023 © D...
ArtsEquator's Top 10 Picks at the Performing Arts Meeting 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles José Maceda, Cassettes 100, 1971, Photo by Nathaniel Gutierrez, Courtesy of UP Center for Ethnomusicology and Ringo Bunoan January 10, 2019 Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders...