Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions. Given one minute to seize the voice of authority, contestants were asked to be the finger-pointing Uncle Sam, and their performances—as on the TV program American Idol —were voted on by a live audience. Five winners were chosen and their image and slogans appeared on posters throughout San Francisco to coincide with the presidential elections. A video of all auditions premiered at SFMOMA on election night.
Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene. A pioneer in video installation, his work often identifies with the “outsider,” whether the artist or the immigrant and comments on displacement and marginalization. Labat has exhibited internationally in venues including the Museum of Contemporary Art, Los Angeles; Laguna Art Museum; the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts, Brussels; the National Gallery of Poland; the Helsinki Museum of Art; the Tel Aviv Museum of Art; and the National Gallery of Greece, Athens.
SEE WHAT SEE (May 2021): SOUTHEAST ASIAN DOCUMENTARIES | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 15, 2021 By Joel Tan To borrow and distort the title of David Shield’s lyrical manifesto against fiction: I’ve been HUNGRY for reality in the month of May...
Liu Wei: China’s Trickster Mixer-Upper – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All February 26, 2014 5:00am When the Rubell Family Collection opened its doors with an exhibition of 28 Chinese artists in time for Art Basel Miami Beach last December, one of the stars that emerged from the show was Liu Wei , whose brand of geometric abstraction surprised many Americans looking for more stereotypical hallmarks of Chinese art ...
Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta...
Stones and Elephants by Chia-Wei Hsu derives from the Malay literary classic The Hikayat Abdullah ...
A New Documentary Examines the ‘Star Wars Holiday Special’ and Asks: Why? | KQED Skip to Nav Skip to Main Skip to Footer The Do List A New Documentary Examines the ‘Star Wars Holiday Special’ and Asks: Why? Linda Holmes Dec 6 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link A moment from the infamous ‘Star Wars’ holiday special...
European masterworks from the Phillips Collection share a modern vision for art with Milwaukee | The Milwaukee Independent European masterworks from the Phillips Collection share a modern vision for art with Milwaukee Posted by Editor | Nov 16, 2019 | The Milwaukee Art Museum hosted a preview exhibit tour for the local media on November 13 for their blockbuster exhibit “A Modern Vision: European Masterworks from the Phillips Collection” which runs until March 22, 2020...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
Sliman Mansour Preserves Palestinian History Through Art Skip to content Sliman Mansour, “Rituals Under Occupation” (1989), oil on canvas, 47 1/2 x 40 inches (all images courtesy Zawyeh Gallery and the artist) Nearly every day, Sliman Mansour makes the hours-long journey between his home in Jerusalem and his studio in Ramallah...
In Pieces - Photographs by Sophia Bulgakova, Lia Dostlieva, Ola Lanko, Katia Motyleva and Kateryna Snizhko | Book review by Sophie Wright | LensCulture Feature In Pieces In this imaginative collection of photobooks “made with a child in mind,” five artists of Ukrainian descent explore the everyday heroism of life in wartime...
Weekly Southeast Asia Radar: Ultraman Buddha hotly traded; Course on democratic dissent cancelled in Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: Chardchakaj Waikawee / Facebook September 18, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space...