Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions. Given one minute to seize the voice of authority, contestants were asked to be the finger-pointing Uncle Sam, and their performances—as on the TV program American Idol —were voted on by a live audience. Five winners were chosen and their image and slogans appeared on posters throughout San Francisco to coincide with the presidential elections. A video of all auditions premiered at SFMOMA on election night.
Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene. A pioneer in video installation, his work often identifies with the “outsider,” whether the artist or the immigrant and comments on displacement and marginalization. Labat has exhibited internationally in venues including the Museum of Contemporary Art, Los Angeles; Laguna Art Museum; the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts, Brussels; the National Gallery of Poland; the Helsinki Museum of Art; the Tel Aviv Museum of Art; and the National Gallery of Greece, Athens.
Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta...
You have given the world your songs by Francisca Benítez is a poem in American Sign Language (ASL)...
In Pieces - Photographs by Sophia Bulgakova, Lia Dostlieva, Ola Lanko, Katia Motyleva and Kateryna Snizhko | Book review by Sophie Wright | LensCulture Feature In Pieces In this imaginative collection of photobooks “made with a child in mind,” five artists of Ukrainian descent explore the everyday heroism of life in wartime...
A New Documentary Examines the ‘Star Wars Holiday Special’ and Asks: Why? | KQED Skip to Nav Skip to Main Skip to Footer The Do List A New Documentary Examines the ‘Star Wars Holiday Special’ and Asks: Why? Linda Holmes Dec 6 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link A moment from the infamous ‘Star Wars’ holiday special...
Louis Fratino’s happy equilibrium – Two Coats of Paint Louis Fratino, Red Nude (After Mafai), 2023, oil on canvas 65 x 94 inches Contributed by Margaret McCann / Louis Fratino’s paintings in “In bed and abroad” at Sikkema Jenkins depict varied social situations, from intimate scenes to foreign climes...
Podcast 68: Critics Live! Wild Rice's Merdeka | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Rueyloon from Wild Rice November 13, 2019 Theatre critics Corrie Tan, Nabilah Said, Carolyn Oei and Kathy Rowland discuss the recent production of WILD RICE’s Merdeka / 獨立 /சுதந்திரம் , in a critics-led post-show conversation held in front of an audience on 19 October 2019 at WILD RICE’s Ngee Ann Kongsi Theatre...