I Want You

2008 - Film & Video (Film & Video)

Tony Labat


Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions. Given one minute to seize the voice of authority, contestants were asked to be the finger-pointing Uncle Sam, and their performances—as on the TV program American Idol —were voted on by a live audience. Five winners were chosen and their image and slogans appeared on posters throughout San Francisco to coincide with the presidential elections. A video of all auditions premiered at SFMOMA on election night.


Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene. A pioneer in video installation, his work often identifies with the “outsider,” whether the artist or the immigrant and comments on displacement and marginalization. Labat has exhibited internationally in venues including the Museum of Contemporary Art, Los Angeles; Laguna Art Museum; the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts, Brussels; the National Gallery of Poland; the Helsinki Museum of Art; the Tel Aviv Museum of Art; and the National Gallery of Greece, Athens.


Colors:



Awaiting Enacted
© » KADIST

Roman Ondak

2003

This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...

Slowed-down Journey
© » KADIST

Roman Ondak

2003

As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...

Ongoing Time Stabbed with a Dagger
© » KADIST

Geoffrey Farmer

2009

Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

Memory Mistake of the Eldridge Cleaver Pants
© » KADIST

Paul McCarthy

2008

Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...

The American War
© » KADIST

Harrell Fletcher

2005

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...

Silver & Gold
© » KADIST

Nao Bustamante

2010

Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...

Dorian, a cinematic perfume
© » KADIST

Michelle Handelman

2009

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...

Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Scene I am Cuba
© » KADIST

Felipe Dulzaides

2006

I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...

The Wooden People
© » KADIST

Nao Bustamante

2021

The Wooden People is a 360º virtual reality film series comprising seven episodes...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

Hubert Maga (perruque MAVA-musée d'art de la vie active)
© » KADIST

Meschac Gaba

2010

The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...

The Stray Man
© » KADIST

Roman Ondak

2006

“A man wanders near the windows of a gallery, situated adjacent to the street...

quadroquadro (círculo)
© » KADIST

Renata Lucas

2016

Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...

Sal Sem Carne
© » KADIST

Cildo Meireles

1975

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...

Sexy
© » KADIST

Yan Xing

2011

Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon...

Cristal series
© » KADIST

Jorge de León

2015

Jorge de León most well-known work was a radical gesture, and one of his earliest artworks: in his 2000 performance, The Circle, de León sewed his own mouth closed as a protest against the silencing of citizens in the face of social corruption...