Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering. Amy Balkin’s neon sculpture I (heart) Data Mining , takes on this issue by revealing the acronyms or abbreviations of both technology companies and government bodies that have either profited from data mining, or have used it to political ends. The culprits include Facebook, Investigative Data Warehouse, Apple Computer, The Department of Homeland Security, Narus, Target, and Twitter. As the colorful neon text directs us to these organizations, a second layer of neon text reading ‘I (heart) Data Mining’ flickers on and off. Despite the existence of various landmark cases — from the dozens of civil lawsuits against the telecommunications giant AT&T for providing the NSA (National Security Agency’s) with its customers’ phone and Internet communications for data-mining, to the targeting and tracking of individuals for commercial or political purposes — most internet users have little knowledge of these programs that capture and process the information traveling through computer networks. Balkin’s piece reflects on the sensitive and complex nature of privacy and surveillance and the ethical binds that corporations and government bodies constantly face in a digital era.
Based in San Francisco, Amy Balkin’s various long-term projects respond to society’s relationship to the land, the atmosphere, the ocean and other natural resources, and how these resources have been used and valued. Often explicitly critical of the economic and political forces that frame these resources, she thinks beyond borders and nation-states to ask global questions about their allocation and ownership. Several of her projects engage with or document individuals and communities that fight for social and environmental justice. Whether through creating a public archive of objects from places that will disappear from global warming; offering an environmental justice audio tour set up near a highway; or creating a “clean air park” with emission credits the artist purchases; the thread that runs throughout is a questioning of who is entitled to nominate and enforce protections around land and the people who will benefit from it.
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes “The processes of photography were liquid for most of the medium’s history...” via Radius Books By Rebecca Solnit and Meghann Riepenhoff December 13, 2023 Ice, #9316 © Meghann Riepenhoff, from Meghann Riepenhoff: Ice © Radius Books...
Podcast 53: Songwriter on the Spot - Ng Sze Min of Artwave Studio | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Poetry Festival Singapore On-the-Spot Poetry Singing March 18, 2019 Duration: 21 min Ng Sze Min, a young emerging music composer and producer, whips up a song based on Akanksha’s teenage poetry, and shares about the other projects that she has worked on as part of Artwave Studio, which she runs together with her partner – aside from her personal practice composing audio plays (which can be found on Spotify )...
Jonas Staal’s installation is based on the thesis written by Fleur Agema and titled “Closed Architecture”...
Le bateau-musée « Artexplorer » reliera vingt ports méditerranéens durant trois ans Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Le voilier d’Art Explora, à Porto Venere, en Italie, non loin du chantier du bateau-musée, en octobre 2023...
International Women's Day: Inspiring Women | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 6, 2020 By ArtsEquator For International Women’s Day, ArtsEquator asked 11 women arts leaders in SEA to tell us about a woman who has inspired, supported or mentored them on their arts journey...