I am Human, Abstract Foil, No Humans IV
2004 - Painting (Painting)
Chris Johanson
Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos. It consists of three small paintings: one of a man with a head of multicolored fragments ( I Am a Human ), one of an abstract rainbow-colored geometric form on foil ( Abstract Foil ), and one of what appears to be a brightly burning star or a representation of the Big Bang ( No Humans IV ). In a playful but serious manner, it envisions the evolution of the world and the creative forces at play in nature and humankind.
The prolific Chris Johanson produces paintings, zines, installations, and sculptures that are notable for their earnest, almost childlike abstraction. His work delves unabashedly into the emotional, social, and spiritual aspects of human nature, tracking points of commonality and difference using simple shapes and lines as well as an unflagging sense of magnanimous humor.
Colors:
Other related works, blended automatically
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Chris Johanson
2000Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
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Barry McGee
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Clare Rojas
2008Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
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Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
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Alexis Smith
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Barbara Kasten
2008Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
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Joachim Koester
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Tuan Andrew Nguyen
2012This work presents the image of an immolated monk engraved on a baseball bat...
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Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
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Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
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Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
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Will Rogan
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Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
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Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
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Lin Yilin
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Gregory Crewdson
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Juan Capistran
2012The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...