I am Human, Abstract Foil, No Humans IV

2004 - Painting (Painting)

Chris Johanson

location: Los Angeles, California
year born: 1968
gender: male
nationality: American
home town: San Jose, California

Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos. It consists of three small paintings: one of a man with a head of multicolored fragments ( I Am a Human ), one of an abstract rainbow-colored geometric form on foil ( Abstract Foil ), and one of what appears to be a brightly burning star or a representation of the Big Bang ( No Humans IV ). In a playful but serious manner, it envisions the evolution of the world and the creative forces at play in nature and humankind.


The prolific Chris Johanson produces paintings, zines, installations, and sculptures that are notable for their earnest, almost childlike abstraction. His work delves unabashedly into the emotional, social, and spiritual aspects of human nature, tracking points of commonality and difference using simple shapes and lines as well as an unflagging sense of magnanimous humor.


Colors:



Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Untitled (Bird and Eyes)
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Clare Rojas

2008

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

The Breaks
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Juan Capistran

2002

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...

Untitled (The way in is the way out)
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Alicia McCarthy

2010

A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...

Golden Bridge
© » KADIST

Lin Yilin

Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...

Enemy’s Enemy: A Monument To A Monument
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Tuan Andrew Nguyen

2012

This work presents the image of an immolated monk engraved on a baseball bat...

Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D.F., Third Gallery
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Tina Modotti

1927

Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...

White Minority
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Juan Capistran

2005

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...

Untitled (Butterfly)
© » KADIST

Mark Grotjahn

2002

This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...

Memory Mistake of the Eldridge Cleaver Pants
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Paul McCarthy

2008

Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...

Knight #6
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Karl Haendel

2011

Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...

Ammo Bunker
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Mario Ybarra Jr.

2009

Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...

Tarantism
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Joachim Koester

2007

Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula...

Untitled (Miller House, #02)
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Luisa Lambri

2002

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...

Domes, #1
© » KADIST

Judy Chicago

1969

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...

Forest Gathering N.2
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Gregory Crewdson

2005

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...

Mother Pig, Shushi Gallery, San Diego Performance
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Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

Untitled (Four-legged figure with three arms)
© » KADIST

Clare Rojas

2006

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...