50 x 50 cm
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem. The protagonist of the vast majority of these drawings is Natour himself, naked and without facial features. They were initially created only in digital formats – the artist would perform the postures required for the drawing, document himself and then trace the figure digitally – to be posted on Facebook, often generating debates online among friends and colleagues. Consequently, the artist decided to present them printed on paper that resembles papyrus – ancient Egypt is often featured in the drawings – and after seven years he brought them together in the artist book Jester Lux, which takes the name from what he calls his “nonhuman collaborator,” who is indeed the true protagonist of all the scenes in the drawings.
Through video and digital drawing Karam Natour manifests his interest in the power of language, and specifically how translation becomes a unique vehicle for a deeper understanding of issues connected to identity, race and gender. Autobiographical, yet not directly so, truly performative, although always through the filter of the camera, the work of Karam Natour takes distinctive elements of his own self, connecting them to mythological, historical and art historical references. Through this mix, which is at times peppered with irony, at times with cynicism, the artist triggers questions that go beyond the “person” he is, generating reflections about representations of individuals and communities in Israel and in the Middle East at large but also about the figure of the (young) artist in the (often wild) field of art.
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Jamie Hawkesworth, Alec Soth and More Sell Prints in Aid of Gaza’s Children | AnOther Featuring work by Camille Vivier, Jack Davison, Venetia Scott and more, Have A Butchers’ print sale raises money for charities protecting children in Gaza November 29, 2023 Text George Pistachio Earlier this month, the London-based, women-led creative gallery space and online concept store Have A Butchers launched an online charity print sale in aid of the children affected by the humanitarian crisis in Gaza...
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Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
The Chair (2012) foregrounds media-based tensions between analog and digital imaging technologies as a means of challenging the continued circulation of visual ephemera from India’s colonial past...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
16 films is a selection of David Haxton’s single-screen videos, which he began producing in the 1970s as a continuation of some of the conceptual underpinnings of his earlier film installations...