For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography. The two works in the KADIST collection are a continuation of these forms with in the medium of sculpture.
Brian D. Tripp was born in Eureka, California in 1945 with Karuk ancestry, from the Klamath upriver watershed. Tripp has been deeply involved with ceremonial culture throughout his life with exhibitions and posts placing him at the forefront of an important California Native American artistic and cultural renaissance.
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
The chapter Ayousha , of Judith Barry’s Cairo Stories , is a portrait-like work that consists of one plasma screen and one framed photograph...
Weekly Picks: Indonesia (8 - 14 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 8, 2019 Top Picks of Indonesia art events in Yogyakarta, Bali and Jakarta from 8-14 April 2019 This Monday and Tuesday, Teater Gandrik in Yogyakarta presents a satire of what the country might look like in the year 2049 if Indonesia were unsuccessful in eradicating corruption...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...