30.48 x 58.42 x 13.02 cm.
In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans.
Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others. This fusion makes sense when you look at his biography: born in Detroit and trained in sculpture at the Art Institute of Chicago, Harrison also works, by day, at the Ford Motor Company, creating prototypes for the cars of the future. In his artistic practice, Harrison is interested in mining available—often commercialized—forms of African culture, looking at these artifacts from the point of view of an urban African American in the twenty-first century.
The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental...
Latiff Mohidin’s “Langkawi”: The Within and Beyond | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: Chan + Hori Gallery July 10, 2018 By Gerald Sim (1,500 words, eight minute read) As with any thought-provoking installation, Latiff Mohidin’s “Langkawi” series, on show at Chan+Hori Contemporary , evokes a large range of perceptions from its audience...
Le jeu d’illusions grinçantes du photographe Jeff Wall, à Bâle Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Boy Falls From Tree » (2010), de Jeff Wall...
Parrot Drawings or Paintings look like children’s drawings and seem quite innocent...
Phinthong provided 5,000 Euros to exchange for Zimbabwean dollars, the most devalued and worthless currency in the world...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line...
A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting...
Weekly Picks: Indonesia (9 - 15 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 9, 2018 Top Picks of Indonesia art events in Bali, Yogyakarta and Jakarta from 9 – 15 July 2018 Titian Art Space in Bali presents the exhibition Mokoh for the house of Mondo ...