243.84 x 121.92 cm
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom. This composition is stuck to a metal plate by a series of button magnets, with interjecting phrases on them. The juxtaposition between the mysogynistic, almost puritan poetry that stripes across the bottom and the powerful crouching pose that the femme demon assumes inverts the hegemonic text , instead creating a space of alterity. The semi-deconstructed book-cover, denotes the seepage of this potential ontological reality (contained within this unwritten book) into the world, allowing Juliana Huxtable’s creation an added layer of possibility.
Writer, artist, performer, and DJ Juliana Huxtable explores intersectional identity through her multidisciplinary practice, which seamlessly blurs the lines that typically separate methods of artistic production. Her work draws from her life experiences, as well as marginalized internet communities, oftentimes featuring hybrid humanoid forms that deeply probe representation of selfhood. In their self-consciously constructed visual ontologies, Huxtable develops a double edged practice that is, on the one hand, a critique of systemic sexist and misogynist power structures, body disassociation and dysmorphia, and on the other, a world-making that frames the radical potential of new technology. Avoiding concrete conclusions, these potentialities become propositions and provocations with which the audience must grapple.
Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
The title of Rainbow Body by Chitra Ganesh refers to an elevated state of, or metaphor for, the consciousness transformation known as a rainbow body...
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
de montañas submarinas el fuego hace islas reader This digital publication was produced as part of the exhibition de montañas submarinas el fuego hace islas [from underwater mountains fire makes islands] , curated by Yina Jiménez Suriel and co-presented by KADIST and Pivô, which continues the curator’s research project, ‘de montanhas submarinas o fogo faz ilhas.’ Released on November 9, 2022, the reader brings together commissioned and translated texts by Félix Servio Ducoudray, Marta Aponte Alsina, Marilia Loureiro, Suely Rolnik, Olivier Marboeuf, Yásnaya Elena Aguilar, and Yina Jiménez Suriel...
Diasporic Dispatches: "The Cardboard Kitchen Project" by FK Co-Lab | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of FK Co-Lab September 14, 2019 By Rebecca Goh (977 words, 6-minute read) We step into the dimly-lit theatre of The Lion & Unicorn , a soft, almost dream-like blue wash over the noticeable emptiness of the stage – save for a skeletal cardboard cut-out resembling a door frame, carefully set stage left...
On the Indonesian Dance Festival with Maria Darmaningsih | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 As part of ArtsEquator’s series of interviews profiling festival directors in Southeast Asia, we get to learn more about Maria Darmaningsih, co-founder and current artistic director of the bi-annual Indonesian Dance Festival (IDF), which was launched in 1992...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
A World in Common: Contemporary African Photography | Tate Modern A celebration of the varied landscape of contemporary African photography today Bringing together a group of artists from different generations, this exhibition will address how photography, film, audio, and more have been used to reimagine Africa’s diverse cultures and historical narratives...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Post Boxes and Tokyo Street Aesthetics - Photographs by Bruno Quinquet | Book review by Magali Duzant | LensCulture Feature Post Boxes and Tokyo Street Aesthetics Working under the moniker ‘Bureau d’Etudes Japonaises’ photographer Bruno Quinquet deftly applies a conceptual approach to street photography, exploring the 23 wards of Tokyo from the perspective of a postman...