In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines. Seventy years later, when the United States military started opting for Humvees and stock parts, the company began to fail, and it entirely ceased production in 1999. Hercules Engines, Abandoned, Canton, Ohio (2011) depicts the manufacturer’s former productive core, gone fallow. A sapling has grown up in the loading dock, and a view straight through the industrial interior shows a field on the other side. In this photograph, William E. Jones uses architectural photography as social documentary, personifying the industrial space to such a degree that it becomes metonymic of a once-powerful industry past its prime.
Los Angeles-based artist and filmmaker William E. Jones appropriates vintage film material that he rearranges into new compositions. Often concerned with the way gay imagery was depicted in 1970s and 1980s, Jones’s early films explore the complex configuration of homosexual identity with a rather nostalgic and romanticized gaze. Though fashioned in the same way, his later pieces look more directly at pornography and the appearance of fetish in popular culture.
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
His series, The Golden State, harkens back to his early career and his photographic training...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious...
Book Review: "The State and The Arts in Singapore: Policies and Institutions" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Institute of Policy Studies, Singapore April 9, 2019 By Chin Ailin (734 words, four-minute read) Commissioned by the Institute of Policy Studies of Singapore (IPS) to trace the course of cultural policy in Singapore from the 1950s to the present, The State and the Arts in Singapore: Policies and Institutions is a comprehensive tome that should serve as an essential text in time to come for any student’s introduction to Singapore’s arts and cultural policies...
His series, The Golden State, harkens back to his early career and his photographic training...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
Foreigners Everywhere is a series of neon signs in several different languages...
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Nikita Teryoshin goes into the backroom of war - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from the series Nothing Personal – The Back Office of War by Nikita Teryoshin Shot in arms fairs around the world over the last eight years, Nikita Teryoshin’s Nothing Personal reveals the chilling business of conflict In a conflict-ridden world, weapons are instruments of both war and politics...