Hat with photograph

- Installation (Installation)

30 x 23 x 33 cm

Hans-Peter Feldmann

location: Düsseldorf, Germany
year born: 1941
gender: male
nationality: German
home town: Dusseldorf, Germany

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Hats and photographs are regularly part of his appropriations and arrangements. He famously made numerous trips to England in search of old photographs when he was an antique dealer, and then worked in a gift store with his wife when he left the art world in the 1980s. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. The mode of display is paired down to the simplest form of a plain square plinth that nevertheless conveys artistry. The presentation contributes to the re-orientation and re-contextualization of these assembled found objects taken from everyday life. Borsalino-type felt hats carry associations with artists such as Marcel Duchamp and Joseph Beuys therefore this work, like pair of shoes and teapot with shadow also in the collection, could be imagined as a form suggestive of portraiture.


Hans-Peter Feldmann creates intimate works that explore the link between art and entertainment. He does not date his projects, instead using the multiple as a snub to the art market and its suspicious sacralization. Rather than producing and inventing, he prefers to accumulate, recover, and collect. Feldmann assembles his findings, and collides them, letting the absurd and the poetic emerge. By giving images and objects back their strangeness, their tactile and emotional force, he expels the banal. His entire production questions the value of the artistic act. Through simple gestures and incongruous connections, Feldmann reminds us that art is an appropriation that populates our daily lives if we are willing to let it flourish.


Colors:



Related works featuring themes of: » Collecting and Modes of Display, » Color Photography, » Conceptual Art, » German

Untitled (City Limits)
© » KADIST

Allen Ruppersberg

1970

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

7″ Single 'Pop In'
© » KADIST

Martin Kippenberger

1989

7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...

Untitled (series)
© » KADIST

Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Stilleben mid Zierlauch (Still Life with Aluminum)
© » KADIST

Annette Kelm

2014

In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions...

Rocket
© » KADIST

Jeffrey Vallance

1978

Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...

100 Boots
© » KADIST

Eleanor Antin

1973

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...

Do ut des (I give that you may give back)
© » KADIST

Mariana Castillo Deball

2009

Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...

Silberhöhe
© » KADIST

Clemens von Wedemeyer

2003

Silberhöhe , directed at Halle, located in the former GDR (German Democratic Republic), is the name of a neighborhood on the outskirts of the city, which was built in the 70’s and could accommodate more 40,000 people...

Versions
© » KADIST

Oliver Laric

2012

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...

Sound of Ice Melting
© » KADIST

Paul Kos

1970

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

Rooftop Routine
© » KADIST

Christian Jankowski

2008

In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...

Fashion Designer Marc Jacobs Is Selling Off His Entire Art Collection, Including a $3 Million Ed Ruscha - via artnet news
© » LARRY'S LIST

Ed Ruscha

The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....

Eight
© » KADIST

Ulla von Brandenburg

2007

Eight opens with a close up of a painting by Hubert Robert of the Chateau de Chamarande where the film was shot...

Work No. 299
© » KADIST

Martin Creed

2003

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

Willi Brandt, Günther Guillaume and Dietrich Sperling
© » KADIST

Thomas Kilpper

2009

These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...

Percent for Art
© » KADIST

Annette Kelm

2013

Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...