Hans Forlorara sina bada amar och ben

2004 - Film & Video (Film & Video)

Nathalie Djurberg


Apparently Djurberg’s mother made a puppet theater and traveled around Göteborg performing during her childhood. This short story of a young man initially listening to birdsong in a city, suddenly confronted to warfare and wounded, could visually resemble child’s doll game or mise en scène, with a high dose of cynicism and violence. The figure, Hans, is attended to by two nurses whose raw discussion appears in speech bubbles: “we’ll have to amputate”. Djurberg employs the full formal potential of the clay material and basic building blocks to emphasize the morphing messiness and randomness of destruction. The scenario ends with the ironic comment about him now being “happy and useless”. “One of the first films I made, Hans förlorar sina båda armar och ben (2004), was pretty much about me and my relationship to harm at that time. The idea came from a dream I had. I dreamed that someone was trying to save the world, and then he lost both his arms and legs, but he was still trying to help by cleaning the street that really smelled. My mother and my grandmother were standing there looking at him and saying to each other things like “oh, look, he’s so useless”, “yeah, but he’s happy, useless and happy.” I was initially devastated by this dream, but then I began to think it was funny. I thought I wasn’t allowed to think it was funny because I really didn’t want him to lose his arms and legs. When you are not allowed to do something, you become attracted to it.” Quoted in “Germano Celant – Nathalie Djurberg”, in Nathalie Djurberg. Turn Into Me, Milan, Fondazione Prada, 2008, p. 193.


In the late 1990s, Nathalie Djurberg started to work with Super 8 film, then video, staging plasticine models or puppets. Her animations are short narratives, fairy tales or nightmares for adults in cynical representations of relations between humans and animals. Reminiscent of the Czech Surrealist Jan Svankmajer’s clay animation films, as well as more recent work by Claes Oldenburg or Paul McCarthy, they push the boundaries of what is sacrilegious in art, eroticism and cinema. Glass or ceramic sculptures and installations add actual object-hood to her cartoon-like creations. The accompanying music is generally by Hans Berg. “Immersion in the dark vortex where things are carnal and sexual, humiliating and shameful, coagulated as exemplars of familial and erotic relationships of subjection, animalism and irreverence, is the procedure Nathalie Djurberg adopts to show the despoliation process experienced by the individual”. Germano Celant, Nathalie Djurberg. Turn Into Me , Milan, Fondazione Prada, 2008, p. 12-13. Nathalie Djurberg was born in 1978 in Lysekil, Sweden. Lives and works in Berlin, Germany.


Colors:



Related works sharing similar palette  
» see more

Padmini Chettur, "Beautiful Thing II"
© » KADIST

Padmini Chetur comes from a strong lineage of Bharatnatyam, an ancient dance form, revived after a century of forced amnesia, as a political act in the backdrop of the intellectual movement that rejected the norms of cultural behaviour in a colonial society...

Padmini Chettur, "Beautiful Thing II"
© » KADIST

Padmini Chetur comes from a strong lineage of Bharatnatyam, an ancient dance form, revived after a century of forced amnesia, as a political act in the backdrop of the intellectual movement that rejected the norms of cultural behaviour in a colonial society...

Photographer Breaks the Guinness World Record (Again) for Deepest Underwater Portrait Shoot
© » MODERN MET PHOTOGRAPHY

Photographer Breaks the Record for Deepest Underwater Shoot Home / Photography Photographer Breaks the Guinness World Record (Again) for Deepest Underwater Portrait Shoot By Regina Sienra on December 10, 2023 Back in July, photographer Steve Haining and model Ciara Antoski broke the Guinness World Record for the deepest underwater photoshoot ...

Flower Tree
© » KADIST

Choi Jeong-Hwa

2008

The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...

Related artist(s) to: Nathalie Djurberg » Hans Berg, » William Kentridge, » Seth Price, » Matthew Barney, » Stan Douglas, » Aernout Mik, » Anri Sala, » Ayşe Erkmen, » Damián Ortega, » Fikret Atay  
» see more

Ghost games
© » KADIST

Anri Sala

2002

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

Rebels of the Dance
© » KADIST

Fikret Atay

2002

In the video Rebels of the Dance , two boys are filmed dancing to traditional Kurdish songs inside of the confined space of an ATM...

Michigan Central Station
© » KADIST

Stan Douglas

1997

Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...

Related works found in the same semantic group  
» see more

Carlos Amorales
© » KADIST

In this Interview conducted by Michele Fiedler, Carlos Amorales Discusses Useless Wonder and more...

Impossible Accomplishment or the power as addition of seductions 2
© » KADIST

Marcelo Cidade

2006

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

Anna Uddenberg first ever film to premiere in the United States to audiences online this December
© » FAD MAGAZINE

Anna Uddenberg first ever film to premiere in the United States to audiences online this December - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — Black Cube Nomadic Art Museum has announced the debut of Useless Sacrifice , a short film created by renowned international Berlin-based Swedish artist Anna Uddenberg...

Mystery Zone, or A Lotta Endings
© » SFMOMA OPENSPACE

Mystery Zone, or A Lotta Endings : Open Space November 23, 2021 Mystery Zone, or A Lotta Endings by Poetry Collaborations with Creative Growth They lived happily ever after And then the sun came up And then the sun go down The couple is riding off into the sunset The End They threw a pie at the shark, the end “We’ll have to do this again sometime” “See ya later, turkey!” “I have a train to catch” My hero! Good night and God bless We’re closed! Take and catch an airplane Keep in touch, never come back! I imagine the dummy It’s how the turkey played the game With no strings attached Exit stage left And the two-timer was never heard from again How the turkey danced tutu in the ballet I will kick you off the curb I will kick you off the planet You cheating turkey! Love me never to say I’m sorry And they danced to music Dogs chance squares sometimes to bark The family played the piano Goodnite, Johnboy Forgiving you family And the wind swept the plain The wind moving the grass Like life Tune in tomorrow! The dog is happy with the owner What a happy ending The tail hit my leg Aloha! A flying dog flying in the mountains Gloomy gray sky The elevator doors closed — Juan Aguilera, Chris Corr-Barberis, D’Lisa Fort, Jorge Gomez, Gail Lewis, Larry Randolph, Elizabeth Rangel, Julie S., Nicole Storm, Monica Valentine, Kathy Zhong Tags: collaboration , poetry , Poetry Collaborations with Creative Growth Leave a comment Cancel reply Please tell us what you think...