Dim. approx. 9cm, height 35cm
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement. They maintain an improvised, precarious quality that draws upon his long-standing interest in how the built environment is redefined and redesigned by the act of inhabitation. In the series Hammer , the loss of functionality of the chisels molded into concrete cylinders gives form to a sculptural object with a new practicality that can be read in light of its title.
In Beyond Guilt the two artists create a portrait of our generation in three parts...
Statistically Speaking: What the data says about arts audiences in Singapore and Australia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 27, 2021 On Thursday, 28 January 11am-12.30pm (GMT +8), representatives from Singapore’s National Arts Council (NAC) and the Australia Council for the Arts will discuss audience attitudes towards the arts in their respective countries in the webinar titled “Statistically Speaking: Analysing Arts Audience Engagement in Singapore and Australia”...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...
In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Podcast 100: Singapore Theatre Year In Review | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 29, 2021 Listen as speakers Ke Weiliang, Lee Shu Yu, Matt Lyon, Nabilah Said and Naeem Kapadia share their thoughts about Singapore theatre in 2021, including observations and shows they found memorable...
Public Transport In London: Christmas 2023 Christmas Transport In London: What's Running, What's Closed, And What About Those Strikes? By Laura Reynolds Laura Reynolds Christmas Transport In London: What's Running, What's Closed, And What About Those Strikes? Find out all you need to know about transport in London over Christmas and New Year below...
Conceived as the catalogue of the exhibition “L’exigence de la saudade”, this publication gathers: Essays, Interview, Artists’s notes ( in English) 48 pages, illustrations, b&w 5 euros Padmini Chettur | Maarten Visser Zamthingla Ruivah | Prajakta Potnis Zasha Colah | Sumesh Sharma Emilie Villez | Léna Monnier | Jean Bhownagary Tyeb Mehta | Nalini Malani | Judy Blum Krishna Reddy | Justin Ponmany Prabhakar Pachpute | Victorine Grataloup Yogesh Barve | Sachin Bonde | Poonam Jain Mangesh Kapse | Carla Montenegro pad.ma Amol Patil | Nikhil Raunak | Alexandre Singh...
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...
“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...
Ukraine is under tension due to the politics of President lanoukovitch since 2010...