Dim. approx. 9cm, height 35cm
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement. They maintain an improvised, precarious quality that draws upon his long-standing interest in how the built environment is redefined and redesigned by the act of inhabitation. In the series Hammer , the loss of functionality of the chisels molded into concrete cylinders gives form to a sculptural object with a new practicality that can be read in light of its title.
How the Singapore literary ecosystem tackles mental health | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 27, 2021 By Sarah Tang (1,450 words, 5-minute read) cw: Contains mentions of suicide There appears to be more local books and writing about mental health in the Singapore lit scene in recent years...
Watch the ArtsEquator Theatre Wrap Up 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 21, 2018 As 2018 draws to a close, we interview four ArtsEquator writers in rapidfire style on the highs and lows of their theatre calendar this past year...
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“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...
Statistically Speaking: Analysing Arts Audience Engagement in Singapore and Australia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 20, 2021 Representatives from Singapore’s National Arts Council (NAC) and the Australia Council for the Arts will discuss audience attitudes towards the arts in their respective countries, based on research survey data collected in 2019 and 2020...
Rocket Society refers to a space project led by a group of Armenian researchers at the beginning of the 1960s...
LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live...
ANCER Lab 03 Manila: How arts managers are surviving COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Mah Jun Yi and Low Pey Sien November 22, 2021 By Wennie Yang (1,200 words, 4-minute read) Pandemic restrictions have put arts and cultural workers and institutions in a bind: choosing between sustaining their missions at times of a global pandemic or ceasing operations altogether...
OPEN CALL: Southeast Asian Arts Censorship Documentation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 16, 2021 ArtsEquator invites applications for the position of Researcher for a regional arts censorship documentation and publication project it is piloting...
Statistically Speaking: What the data says about arts audiences in Singapore and Australia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 27, 2021 On Thursday, 28 January 11am-12.30pm (GMT +8), representatives from Singapore’s National Arts Council (NAC) and the Australia Council for the Arts will discuss audience attitudes towards the arts in their respective countries in the webinar titled “Statistically Speaking: Analysing Arts Audience Engagement in Singapore and Australia”...
AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 28, 2021 We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia...
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...
Podcast 85: Singapore Theatre, Year in Review | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 14, 2020 In our end-of-year roundup, Nabilah Said, Naeem Kapadia and Matt Lyon take stock of the year in Singapore theatre, alongside guests Lee Shu Yu from Centre 42 and Max Yam from Arts Republic...