A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California. In the past a photograph of marijuana would more likely be found in an evidence file than an art museum or gallery, but today continued debates about the legality of marijuana and the industry surrounding it has brought the substance into common public view. Green Box is a strong example of the current sociopolitical state of California and the grey areas that exist in legislature and at the same time illustrates the unavoidable commercialization of once underground cultures.
Dutch artist Ari Marcopoulos moved to the United States in 1980 and has become an important documentarian of American fringe culture over the last three decades. The subject matter of Marcopoulos’ photographs and videos have ranged from skateboarding and snowboarding to the New York art scene, including Warhol’s Factory, in the 1980’s. Now residing in Northern California, Marcopoulos has focused his lens on his family. Often documenting his sons against the California landscape, he has stressed that these photos are not meant to be autobiographical but archetypes of the idea of family. Through his prolific output of books, magazines, films, and exhibitions, Marcopuolos has provided the world with an inside view of cultures that are often inaccessible.
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...