27:01 minutes
Gikan Sa Ngitngit Nga Kinailadman (From The Dark Depths) by Kiri Dalena is a stylistically collaged film inspired by the true story of a young activist’s drowning. Moving between reality and fantasy, it depicts the story of a dead communist who sinks to the bottom of the ocean into a dreamlike subaquatic utopia. In the film a young woman mourns the death of an activist that took place years ago. The woman sinks into herself and recreates a story that coalesces memory, delirium, and forgetting. The film begins with an underwater sequence in which a woman dances slowly through a field of red flags while holding a larger red flag. Next, Dalena incorporates found footage of protests likely from the era of the 1970s Marcos regime in the Philippines. In the last segment of the film, a woman mourns the death of a drowned man that has washed ashore. While underwater, the dancing woman struggles to reach the floating body of the drowning man, but the force of the ocean prevents her from surfacing. Deeply poetic in both form and content, Gikan Sa Ngitngit Nga Kinailadman is a sobering meditation on political oppression, traumatic memory, and the struggle towards resistance and resilience.
Kiri Dalena is an acclaimed visual artist, filmmaker, and activist. Dalena is best known for her work that reveals social inequalities and injustices that continue to persist, particularly in the Philippines. She actively advocates for human rights amidst state persecution, which constitutes the foundation of her art practice. Dalena’s work is both documentation and critical commentary on historical and current states of national political affairs. Dalena is also the co-founder of the filmmaking collective Southern Tagalog Exposure.
An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist interview interview An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Airlifted out of Vietnam as a teenager when Saigon fell, the Vietnamese American photographer makes no attempt to simplify the unbearably complex, and pits individual agency against huge geopolitical forces Dale Berning Sawa 7 December 2023 Share Installation view of Fourteen Views (2023), which represents a river journey from the Mekong to the Mississippi via Parisian water gardens, encompassing Vietnam, its colonisation by France and the military intervention by the US Photo: Jonathan Dorado, © MoMA In 2021, An-My Lê had an out-of-body experience in the Californian desert...
The working processes of artists: Tim De Cotta | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Tim De Cotta October 18, 2019 In this video, LASALLE students Nicole Kessler and Marian Saturno speak to musician Tim De Cotta on his (many) musical influences, how he talks about social issues through music and how to keep your art pure...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Drowned Wood Standing Coiled (2011) consists of two sculptures, inextricably linked...
Kyle Staver: Truth Be Told at Half Gallery advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 Kyle Staver: Truth Be Told at Half Gallery Kyle Staver, Amazon Archers, 2023...
Ghost 1: Drowning is not a poem but is not not a poem either by Jota Mombaça is part of a series of sculptures exploring water’s restless, elemental properties and what the artist describes as “the radicality of sinking”...