The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009. In this film, Aiken’s allusion to “the frontier” and iconic imagery like the cowboy suggest that the American West Coast as a cultural construction. These notions are reinforced by two key elements in the film: its protagonist, the iconic West Coast artist Ed Ruscha, and its reference to the cinematic and the experience of the movie theater. The film is structured as a journey in time, from day to night. The completed film was shot in different places around the globe, including Los Angeles, Rome, South Africa, and Israel, which suggests the blurring boundaries of the unknown and emphasizes both fictive and real landscapes.
Doug Aitken’s work started to draw international attention when his installation Electric Earth earned the International Prize at the 1999 Venice Biennale, which was organized by renowned Swiss curator Harald Szeemann. Interested in breaking conventional narratives, Aitken emphasizes circularity and non-linearity in his monumental site-specific installations. This monumentality is usually expressed in Aitken’s tendency to combine apparently disconnected fragments in order to create epic films. Although this aspect of his work differs from the all-encompassing wholes sought by modernism, Aitken’s films play with the imaginary and surreal in a way that flirts with the notion of utopia. The artist uses pop culture and, especially, the film industry as sources for his compelling and immersive environments. Aesthetic elements such as coloration, light and space and a careful editing process give his films a contemplative mood.
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
The theme of the end of the world, of the last man on earth, recurs in our literary and cinematographic culture and in our imaginary: “we had this dream before, the dream that we’re alone.” In The Secret Life of Things , the narrator presents himself as an enthusiast and expert on films announcing the end of the world and those staging someone waking up to discover that they are the only survivor on earth...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...