7 1/8 × 39 3/8 × 1 ¾ in.
Foreigners Everywhere is a series of neon signs in several different languages. Named for Stranieri Ovunque, an anarchist collective from Turin, the work embodies and projects the ambivalence of their name into various sites and contexts. Lacking context, the neon suggests a factual statement, xenophobic threat, and evokes the estrangement of feeling foreign in a global society, a circumstance legible by the targeted populations.
Claire Fontaine is a Paris-based collective, founded in 2004. After lifting her name from a popular brand of school notebooks, Claire Fontaine declared herself a “readymade artist” and began to elaborate a version of neo-conceptual art that often looks like other people’s work. Working in neon, video, sculpture, painting and text, her practice can be described as an ongoing interrogation of the political impotence and the crisis of singularity that seem to define contemporary art today. But if the artist herself is the subjective equivalent of a urinal or a Brillo box – as displaced, deprived of its use value, and exchangeable as the products she makes – there is always the possibility of what she calls the “human strike.” Only two years old, Claire Fontaine uses her freshness and youth to make herself a whatever-singularity and a existential terrorist in search of subjective emancipation. She grows up among the ruins of the notion of authorship, experimenting with collective protocols of production, détournements, and the production of various devices for the sharing of intellectual and private property
Untitled was part of the 2002 exhibition “Drawings for the Austrian School” held at the D’Amelio Terras gallery in New York...
The plants in the Voynich Manuscript | Exhibition | IMA ONLINE The plants in the Voynich Manuscript 1 August 2019 - 31 August 2019 IMA gallery TAGS IMA gallery Harumi Shimizu Share Through her many journeys to foreign lands, Harumi Shimizu has been capturing the lives, the culture and the history of the people in these unfamiliar places and has thus reconstructed new narratives through her photographs...
Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history...
‘A mosaic of traditions’: Capturing Bangladesh’s most beloved beach - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Two Bangladeshi life guard at the beach of Cox’s Bazar © Ismail Ferdous For his Leica Award-winning body of work, Sea Beach, Ismail Ferdous returned to the seaside of his childhood...
The Best Art Gifts for Artists and Art Lovers: Updated for Holiday 2023 – ARTnews.com Skip to main content By The ARTnews Recommends Editors Plus Icon The ARTnews Recommends Editors View All December 12, 2023 1:00pm Zakka Joy If you purchase an independently reviewed product or service through a link on our website, ARTNews may receive an affiliate commission...
In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...
Online Seminar: Frequencies of Tradition With Anselm Franke, Ho Tzu Nyen, Chia Wei Hsu, Yuk Hui, siren eun young jung, Jane Jin Kaisen, Ayoung Kim, Hyunjin Kim, Hwayeon Nam, Emily Wilcox, and Soo Ryon Yoon The Times Museum and KADIST present three online sessions that consider tradition as a contested space, where one can critically reflect on Asian modernization and the Western canon...