The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it. The work consists of a mirrored structure with a hidden motor that vibrates every so often. In this play of mirrors, the viewer first encounters their reflection, but in time the vibration distorts the image, making self-recognition impossible and suggesting the fragility of identity. Flutter ’s reflective surfaces also evoke the architecture of office buildings that shake just so in an earthquake. The sidewalk is a built environment and a social space rife with extreme fragility and it exposes economic inequity and systemic racism writ large. In the San Francisco Bay Area, the compounding forces of COVID-19 and the climate crisis have spurred a seismic shift in social life. Storefront windows, as across the country, have become a contentious space further driving apart the public and the private. During protests and social uprisings, boarded up windows of the former shells of buildings are transformed into political and collective murals and communal vision boards, reclaiming the sidewalk. Abdalian reflects in 2023 the conditions surrounding Flutter: Flutter was conceived as a context-responsive installation at a gallery in downtown Oakland, CA, during the summer of 2010 as residents braced for the verdict in the case of Johannes Mehserle, the cop who murdered Oscar Grant. In windows that face a pedestrian walkway, mirrored mylar quivers, ripples, and shakes in response to subaudio sine sweeps transmitted through tactile transducers. The actuated surface of the mirror visibly destabilizes the environment in which the work is situated, reflecting a status quo open to rupture. Installed in 2023 in San Francisco’s Mission District, the unstable image reflected in Flutter belies the relative calm pictured at KADIST’s 20th Street location. Banks are liquidated, layoffs are announced, and ever wider wars for capitalist profit loom. Rupture is the unavoidable expression of an unstable system. Here, viewers encounter their reflection within this process of inevitable change.
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
90022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice...
Bariga Nights is a photographic series set in the Bariga neighborhood in Lagos (Nigeria)...
In the seminal video Workout , Kanis looks at the phenomenon of exercise in public space—specifically aerobics exercises in parks around Moscow today—as a broader lens for thinking about generational change...
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Dans « Daaaaaalí ! », les inventions cinématographiques de Quentin Dupieux dignes du peintre surréaliste Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Le peintre Salvador Dali (1904-1989), sur le toit de sa maison, à Cadaqués (Espagne), en septembre 1968...
FIG OUT 2019 | Exhibition | IMA ONLINE FIG OUT 2019 5 July 2019 - 14 July 2019 IMA gallery TAGS IMA gallery FIGLAB session hall Share Title 「FIG OUT 2019」 Dates Friday 5 July, 2019 – Sunday 14 July, 2019 Site IMA gallery /session hall(Tokyo) Time 11:00 – 19:00 Price Free Event Friday 5 July 19:00〜21:00: Opening Reception TAGS IMA gallery FIGLAB session hall Share Staff Picks HANON Présage / Connotations Yoshinori Mizutani Hideyuki Ishibashi...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross...
The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...