Flutter

2010 - Installation (Installation)

Zarouhie Abdalian


The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it. The work consists of a mirrored structure with a hidden motor that vibrates every so often. In this play of mirrors, the viewer first encounters their reflection, but in time the vibration distorts the image, making self-recognition impossible and suggesting the fragility of identity. Flutter ’s reflective surfaces also evoke the architecture of office buildings that shake just so in an earthquake. The sidewalk is a built environment and a social space rife with extreme fragility and it exposes economic inequity and systemic racism writ large. In the San Francisco Bay Area, the compounding forces of COVID-19 and the climate crisis have spurred a seismic shift in social life. Storefront windows, as across the country, have become a contentious space further driving apart the public and the private. During protests and social uprisings, boarded up windows of the former shells of buildings are transformed into political and collective murals and communal vision boards, reclaiming the sidewalk. Abdalian reflects in 2023 the conditions surrounding Flutter: Flutter was conceived as a context-responsive installation at a gallery in downtown Oakland, CA, during the summer of 2010 as residents braced for the verdict in the case of Johannes Mehserle, the cop who murdered Oscar Grant. In windows that face a pedestrian walkway, mirrored mylar quivers, ripples, and shakes in response to subaudio sine sweeps transmitted through tactile transducers. The actuated surface of the mirror visibly destabilizes the environment in which the work is situated, reflecting a status quo open to rupture. Installed in 2023 in San Francisco’s Mission District, the unstable image reflected in Flutter belies the relative calm pictured at KADIST’s 20th Street location. Banks are liquidated, layoffs are announced, and ever wider wars for capitalist profit loom. Rupture is the unavoidable expression of an unstable system. Here, viewers encounter their reflection within this process of inevitable change.


Colors:



Hydroforce
© » KADIST

Liz Cohen

2011

From among a cloud of fake smoke we see a heavily pregnant Cohen wearing a bikini and golden stilettos with lace-up straps wrapped around her legs, grasping onto the frame of a modified car as its loud hydraulic system clumsily moves it up and down...

Lowrider Builder and Child
© » KADIST

Liz Cohen

2012

The photographic work Lowrider Builder and Child is a companion piece to the video Hydroforce , which features Cohen in the late stage of her pregnancy posing atop a German car that she transformed into a lowrider in a period of ten years...

Human Quarry
© » KADIST

Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Untitled (San Francisco)
© » KADIST

Edward Kienholz

1984

Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...

Victory at Sea
© » KADIST

Colter Jacobsen

2007

Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...

The American War
© » KADIST

Harrell Fletcher

2005

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...

No Title
© » KADIST

Félix González-Torres

1992

Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...

Untitled
© » KADIST

Toyin Ojih Odutola

2015

As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...

Knight #6
© » KADIST

Karl Haendel

2011

Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...

Prove how much you have grown
© » KADIST

Toyin Ojih Odutola

2013

Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand...

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

Domes, #1
© » KADIST

Judy Chicago

1969

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...

Untitled (Untitled Passport II)
© » KADIST

Colter Jacobsen

2010

The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...

Black Imitates White
© » KADIST

Hank Willis Thomas

2012

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Frontier-Linear
© » KADIST

Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...

La Loge Harlem
© » KADIST

Abigail DeVille

2017

The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years...

Intentionally Left Blanc
© » KADIST

Hank Willis Thomas

2012

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Untitled (Blue Chapel)
© » KADIST

Robert Therrien

1985

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...