The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it. The work consists of a mirrored structure with a hidden motor that vibrates every so often. In this play of mirrors, the viewer first encounters their reflection, but in time the vibration distorts the image, making self-recognition impossible and suggesting the fragility of identity. Flutter ’s reflective surfaces also evoke the architecture of office buildings that shake just so in an earthquake. The sidewalk is a built environment and a social space rife with extreme fragility and it exposes economic inequity and systemic racism writ large. In the San Francisco Bay Area, the compounding forces of COVID-19 and the climate crisis have spurred a seismic shift in social life. Storefront windows, as across the country, have become a contentious space further driving apart the public and the private. During protests and social uprisings, boarded up windows of the former shells of buildings are transformed into political and collective murals and communal vision boards, reclaiming the sidewalk. Abdalian reflects in 2023 the conditions surrounding Flutter: Flutter was conceived as a context-responsive installation at a gallery in downtown Oakland, CA, during the summer of 2010 as residents braced for the verdict in the case of Johannes Mehserle, the cop who murdered Oscar Grant. In windows that face a pedestrian walkway, mirrored mylar quivers, ripples, and shakes in response to subaudio sine sweeps transmitted through tactile transducers. The actuated surface of the mirror visibly destabilizes the environment in which the work is situated, reflecting a status quo open to rupture. Installed in 2023 in San Francisco’s Mission District, the unstable image reflected in Flutter belies the relative calm pictured at KADIST’s 20th Street location. Banks are liquidated, layoffs are announced, and ever wider wars for capitalist profit loom. Rupture is the unavoidable expression of an unstable system. Here, viewers encounter their reflection within this process of inevitable change.
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...