Fantasmática Latinoamericana

2014 - Installation (Installation)

Voluspa Jarpa


In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents. Depicting the crowds and the caskets in grey tones, Jarpa’s paintings underscore the wide impact of these tragic events on the people and politics of the region. Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.


Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.


Colors:



Related artist(s) to: Voluspa Jarpa » Latin America, » Rosângela Rennó, » Alfredo Jaar, » Amalia Pica, » Carlos Amorales, » Edra Soto, » Elena Damiani, » Fernando Bryce, » Francisca Aninat, » Gerardo Mosquera

Intersticio (Interstice)
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Elena Damiani

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Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone...

Memorial for intersection #2
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Amalia Pica

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Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...

Fading Fields 7
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Elena Damiani

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In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work...

Useless Wonder
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Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Why fear the future?
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Carlos Amorales

2005

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...

From Useless Wonder 04
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Carlos Amorales

2007

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

El hombre que hizo todas las cosas prohibidas
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Carlos Amorales

2014

Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...