Fantasmática Latinoamericana
2014 - Installation (Installation)
Voluspa Jarpa
In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents. Depicting the crowds and the caskets in grey tones, Jarpa’s paintings underscore the wide impact of these tragic events on the people and politics of the region. Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.
Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.
Colors:
Related works featuring themes of: » Southern Cone
» see more
© » KADIST
Nicolas Bacal
2008Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...
© » KADIST
Pablo Accinelli
2011In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
Other related works, blended automatically
» see more
© » KADIST
Voluspa Jarpa
2012To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
© » KADIST
Nicolas Bacal
2008Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...
© » KADIST
Pablo Accinelli
2011In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
Related works sharing similar palette
» see more
© » ARTNEWS RETROSPECTIVE
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
© » KADIST
Milena Bonilla
2009Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
© » KADIST
Felipe Arturo
2012Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Other works by: » Voluspa Jarpa
» see more
© » KADIST
Voluspa Jarpa
2012To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
Related artist(s) to: Voluspa Jarpa » Latin America, » Rosângela Rennó, » Alfredo Jaar, » Amalia Pica, » Carlos Amorales, » Edra Soto, » Elena Damiani, » Fernando Bryce, » Francisca Aninat, » Gerardo Mosquera
» see more
© » KADIST
Elena Damiani
2012Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone...
© » KADIST
Amalia Pica
2013Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
© » KADIST
Carlos Amorales
2005Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
© » KADIST
Carlos Amorales
2007This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Related works found in the same semantic group
» see more
© » KADIST
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
© » KADIST
Mark Grotjahn
2002This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...