Falling Wall is choreography consisting of a wall, three performers wearing uniforms, and a short ritual. The performers stand aligned in front of the wall, which suddenly falls, menacingly, in the direction of the viewers. The synchronicity of collapse echoes the possibility of transgressing borders such as state frontiers, or even the museum wall. While the highly orchestrated movements of the performers may suggest a state funeral or memorial, the destruction becomes part of the act of commemoration, contradicting the fixed form of monuments and history. Falling Wall disturbs the established order by introducing feelings of doubt and crisis. The performative research group Public Movement explores the creation of national, social, and political identities through public choreographies. By reenacting commemorative ceremonies, formal exercises from the youth scouts, or emergency procedures, the troupe examines the social choreography of public spaces. They study and reproduce the codes and symbols of what constitutes a nation-state, engaging audiences to take a position within the geopolitics of space. Public Movement was founded in December 2006 by Omer Krieger and Dana Yahalomi, its director since 2011. The first activation of Falling Wall took place at the Tel Aviv Museum of Art as part of Public Movement’s exhibition National Collection , curated by Ruti Direktor.
The performative research group Public Movement explores the creation of national, social, and political identities through public choreographies. By reenacting commemorative ceremonies, formal exercises from the youth scouts, or emergency procedures, the troupe examines the social choreography of public spaces. They study and reproduce the codes and symbols of what constitutes a nation-state, engaging audiences to realize their positions with the geopolitics of space. The Movement was founded in Tel Aviv in November 2006 by Omer Krieger and Dana Yahalomi, Yahalomi has been the director of the movement since 2011.
U Maung Maung’s blast from the past (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2018 To some people, these maybe nothing more than trash, some useless pieces of equipment from a forgotten past, but to others these are rare gems that brought back some bittersweet memories from not so long ago, when strife of all kinds – from World War I, World War II, up to the cold war era — dominated the world...
Weekly Picks: Indonesia (22 - 28 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 Top Picks of Indonesia art events in Solo, Bandung, and Jakarta from 22-28 April 2019 One way to spread values in life is through the media of films...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris Login Newsletter Twitter Facebook Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Valérie Jouve — Le monde est un abri Exhibition Photography, video Upcoming Sans titre (Les Façades), 2020-2023 / Sans titre (Les Personnages avec Abu Hassan), 2009, courtesy de l’artiste et de la galerie Xippas (Paris, Genève, Punta del Este) Photomontage Courtesy de Valérie Jouve et de la galerie Xippas (Paris, Genève, Punta del Este) Valérie Jouve Le monde est un abri In about 2 months: February 11 → April 14, 2024 Après la parution en novembre 2022 de son dernier livre ( Valérie Jouve , Flammarion/ CNAP ) mettant en récit quinze années de travail, Valérie Jouve formule une nouvelle proposition pour le vaste espace du Centre Photographique d’Île-de-France (Pontault-Combault, Seine-et-Marne)...
Dans « Daaaaaalí ! », les inventions cinématographiques de Quentin Dupieux dignes du peintre surréaliste Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Le peintre Salvador Dali (1904-1989), sur le toit de sa maison, à Cadaqués (Espagne), en septembre 1968...
Flag (Thames) 2016 depicts a small section of the Thames River—one that is adjacent to the Palace of Westminster in London—as an algorithmic representation on an LED panel...
The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...
All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Martha Wilson — Invisible, Works on Aging (1972-2022) Exposition Photographie Martha Wilson, Beastly + Beauty, 1974 et 2009 Photographies noir et blanc, texte, 43,2 × 59,7 cm, édition de 3 © DR Martha Wilson Invisible, Works on Aging (1972-2022) Encore 7 mois : 1 juillet 2023 → 4 février 2024 Le Frac Sud — Cité de l’Art Contemporain est heureux de consacrer, après Martha Wilson in Halifax: 1972-1974 au Centre Pompidou en 2021, sa première exposition monographique d’envergure en France à Martha Wilson, figure pionnière et tutélaire des engagements féministes au travers de l’art rerprésentée par la galerie michèle Didier...
At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...