Falling Wall
Public Movement
Falling Wall is choreography consisting of a wall, three performers wearing uniforms, and a short ritual. The performers stand aligned in front of the wall, which suddenly falls, menacingly, in the direction of the viewers. The synchronicity of collapse echoes the possibility of transgressing borders such as state frontiers, or even the museum wall. While the highly orchestrated movements of the performers may suggest a state funeral or memorial, the destruction becomes part of the act of commemoration, contradicting the fixed form of monuments and history. Falling Wall disturbs the established order by introducing feelings of doubt and crisis. The performative research group Public Movement explores the creation of national, social, and political identities through public choreographies. By reenacting commemorative ceremonies, formal exercises from the youth scouts, or emergency procedures, the troupe examines the social choreography of public spaces. They study and reproduce the codes and symbols of what constitutes a nation-state, engaging audiences to take a position within the geopolitics of space. Public Movement was founded in December 2006 by Omer Krieger and Dana Yahalomi, its director since 2011. The first activation of Falling Wall took place at the Tel Aviv Museum of Art as part of Public Movement’s exhibition National Collection , curated by Ruti Direktor.
The performative research group Public Movement explores the creation of national, social, and political identities through public choreographies. By reenacting commemorative ceremonies, formal exercises from the youth scouts, or emergency procedures, the troupe examines the social choreography of public spaces. They study and reproduce the codes and symbols of what constitutes a nation-state, engaging audiences to realize their positions with the geopolitics of space. The Movement was founded in Tel Aviv in November 2006 by Omer Krieger and Dana Yahalomi, Yahalomi has been the director of the movement since 2011.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
U Maung Maung’s blast from the past (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2018 To some people, these maybe nothing more than trash, some useless pieces of equipment from a forgotten past, but to others these are rare gems that brought back some bittersweet memories from not so long ago, when strife of all kinds – from World War I, World War II, up to the cold war era — dominated the world...
© » ARTS EQUATOR
Weekly Picks: Indonesia (22 - 28 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 Top Picks of Indonesia art events in Solo, Bandung, and Jakarta from 22-28 April 2019 One way to spread values in life is through the media of films...
© » KADIST
Stan Douglas
1997Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
© » THEARTNEWSPER
Kentucky man who defrauded local art organisations gets prison time Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Crime news Kentucky man who defrauded local art organisations gets prison time The FBI apprehended the man, who took $340,000 from the ArtWorks Community Arts Education Center and Russell County Arts Council, as he disembarked from a cruise ship in 2022 Theo Belci 11 December 2023 Share The ArtWorks Community Arts Education Center in Jamestown, Kentucky, one of two arts organisations in the state defrauded by Charles Davis Photo via ArtWorks Community Arts Education Center/X Kentucky resident Charles Davis has been found guilty of defrauding two local arts organisations, the ArtWorks Community Arts Education Center in Jamestown and Russell County Arts Council (RCAC) in Russell Springs...
© » SLASH PARIS
Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Martha Wilson — Invisible, Works on Aging (1972-2022) Exposition Photographie Martha Wilson, Beastly + Beauty, 1974 et 2009 Photographies noir et blanc, texte, 43,2 × 59,7 cm, édition de 3 © DR Martha Wilson Invisible, Works on Aging (1972-2022) Encore 7 mois : 1 juillet 2023 → 4 février 2024 Le Frac Sud — Cité de l’Art Contemporain est heureux de consacrer, après Martha Wilson in Halifax: 1972-1974 au Centre Pompidou en 2021, sa première exposition monographique d’envergure en France à Martha Wilson, figure pionnière et tutélaire des engagements féministes au travers de l’art rerprésentée par la galerie michèle Didier...
© » KADIST
Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
© » SLASH PARIS
Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Martha Wilson — Invisible, Works on Aging (1972-2022) Exhibition Photography Martha Wilson, Beastly + Beauty, 1974 et 2009 Photographies noir et blanc, texte, 43,2 × 59,7 cm, édition de 3 © DR Martha Wilson Invisible, Works on Aging (1972-2022) Ends in 7 months: July 1, 2023 → February 4, 2024 The Frac Sud is pleased to present a major solo exhibition in France by Martha Wilson, a pioneering figure and guiding light of feminist engagement through art...
© » KADIST
Thea Djordjadze
2010The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...
© » KADIST
Mikhael Subotzky
2006At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...
© » KADIST
Fabien Giraud & Raphael Siboni
2017– In whiche a lemyng starre returneth in the yeer foretolde and alle thing that spak to us turneth ayeyn to silence – Sixth episode of The Unmanned and sharing the same camera movements as the episode “1997 – The Brute Force”, “Mil troi cens quarante huyt” refers to the appearance of a comet in 1759 – thus validating the computation and rational prediction of its return by the British astronomer and mathematician Edmond Halley...
© » SOUTH CHINA MORNING POST
Why these ephemeral clay artworks by ceramicist Ruth Ju-shih Li will crumble in front of your eyes | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Taiwanese-Australian ceramicist Ruth Ju-shih Li installs an ephemeral clay artwork at the New Taipei City Yingge Ceramics Museum, in Taiwan, in 2019...
© » SLASH PARIS
Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoine Grumbach — Les Yeux du Ciel Exhibition Architecture, urban art, drawing, installation.....
