Falling Wall is choreography consisting of a wall, three performers wearing uniforms, and a short ritual. The performers stand aligned in front of the wall, which suddenly falls, menacingly, in the direction of the viewers. The synchronicity of collapse echoes the possibility of transgressing borders such as state frontiers, or even the museum wall. While the highly orchestrated movements of the performers may suggest a state funeral or memorial, the destruction becomes part of the act of commemoration, contradicting the fixed form of monuments and history. Falling Wall disturbs the established order by introducing feelings of doubt and crisis. The performative research group Public Movement explores the creation of national, social, and political identities through public choreographies. By reenacting commemorative ceremonies, formal exercises from the youth scouts, or emergency procedures, the troupe examines the social choreography of public spaces. They study and reproduce the codes and symbols of what constitutes a nation-state, engaging audiences to take a position within the geopolitics of space. Public Movement was founded in December 2006 by Omer Krieger and Dana Yahalomi, its director since 2011. The first activation of Falling Wall took place at the Tel Aviv Museum of Art as part of Public Movement’s exhibition National Collection , curated by Ruti Direktor.
The performative research group Public Movement explores the creation of national, social, and political identities through public choreographies. By reenacting commemorative ceremonies, formal exercises from the youth scouts, or emergency procedures, the troupe examines the social choreography of public spaces. They study and reproduce the codes and symbols of what constitutes a nation-state, engaging audiences to realize their positions with the geopolitics of space. The Movement was founded in Tel Aviv in November 2006 by Omer Krieger and Dana Yahalomi, Yahalomi has been the director of the movement since 2011.
U Maung Maung’s blast from the past (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2018 To some people, these maybe nothing more than trash, some useless pieces of equipment from a forgotten past, but to others these are rare gems that brought back some bittersweet memories from not so long ago, when strife of all kinds – from World War I, World War II, up to the cold war era — dominated the world...
Weekly Picks: Indonesia (22 - 28 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 Top Picks of Indonesia art events in Solo, Bandung, and Jakarta from 22-28 April 2019 One way to spread values in life is through the media of films...
– In whiche a lemyng starre returneth in the yeer foretolde and alle thing that spak to us turneth ayeyn to silence – Sixth episode of The Unmanned and sharing the same camera movements as the episode “1997 – The Brute Force”, “Mil troi cens quarante huyt” refers to the appearance of a comet in 1759 – thus validating the computation and rational prediction of its return by the British astronomer and mathematician Edmond Halley...
Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoine Grumbach — Les Yeux du Ciel Exposition Architecture, art urbain, dessin, installations.....
The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...
Dans « Daaaaaalí ! », les inventions cinématographiques de Quentin Dupieux dignes du peintre surréaliste Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Le peintre Salvador Dali (1904-1989), sur le toit de sa maison, à Cadaqués (Espagne), en septembre 1968...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
Flag (Thames) 2016 depicts a small section of the Thames River—one that is adjacent to the Palace of Westminster in London—as an algorithmic representation on an LED panel...
Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris Login Newsletter Twitter Facebook Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Valérie Jouve — Le monde est un abri Exhibition Photography, video Upcoming Sans titre (Les Façades), 2020-2023 / Sans titre (Les Personnages avec Abu Hassan), 2009, courtesy de l’artiste et de la galerie Xippas (Paris, Genève, Punta del Este) Photomontage Courtesy de Valérie Jouve et de la galerie Xippas (Paris, Genève, Punta del Este) Valérie Jouve Le monde est un abri In about 2 months: February 11 → April 14, 2024 Après la parution en novembre 2022 de son dernier livre ( Valérie Jouve , Flammarion/ CNAP ) mettant en récit quinze années de travail, Valérie Jouve formule une nouvelle proposition pour le vaste espace du Centre Photographique d’Île-de-France (Pontault-Combault, Seine-et-Marne)...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...