Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few). If humans interpreted and appropriated the geometric-shaped works they created as conceptual and minimalist artworks, the objects were in fact transmission devices the Lemurians used to report back on human actions to their mother planet. The video takes the form of a channeled message from Adama, High Priest and spiritual leader of the Lemurians. Adama attempts to give viewers clues to decipher the history of the Lemurians, the purpose of their existence on earth, and information about the identities of their agents (artists).
Yin-Ju Chen is a multidisciplinary artist, working in video, photography, drawing, and multi-media installation. She interprets social power and history through cosmological systems, using astrology, sacred geometry, and alchemical symbols to consider themes of human behavior, nationalism, imperialism, racism, state violence, totalitarianism, utopian formations, and collective thinking. Recent works illustrate the inevitability of cycles of history, developing the scope of Chen’s long-term consideration of notions of power and collective (un)consciousness. Chen was in residency at KADIST San Francisco in 2016.
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...