Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few). If humans interpreted and appropriated the geometric-shaped works they created as conceptual and minimalist artworks, the objects were in fact transmission devices the Lemurians used to report back on human actions to their mother planet. The video takes the form of a channeled message from Adama, High Priest and spiritual leader of the Lemurians. Adama attempts to give viewers clues to decipher the history of the Lemurians, the purpose of their existence on earth, and information about the identities of their agents (artists).
Yin-Ju Chen is a multidisciplinary artist, working in video, photography, drawing, and multi-media installation. She interprets social power and history through cosmological systems, using astrology, sacred geometry, and alchemical symbols to consider themes of human behavior, nationalism, imperialism, racism, state violence, totalitarianism, utopian formations, and collective thinking. Recent works illustrate the inevitability of cycles of history, developing the scope of Chen’s long-term consideration of notions of power and collective (un)consciousness. Chen was in residency at KADIST San Francisco in 2016.
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
buZ Blurr, One Telling of the “Origin Story” at Straat Museum Amsterdam | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the shifting culturescapes of urban contemporary art, STRAAT Museum’s latest exhibition, “Moniker: An Origin Story,” emerges as a poignant narrative that bridges the transient heritage of hobo monikers with the vibrant pulse of today’s street art scene...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
50 Years Ago, Barbara Nessim Broke Illustration’s Glass Ceiling Skip to content Barbara Nessim, “A Maze From Above” (1970), pen and ink and watercolor on paper, 14 x 10 1/4 inches (all images courtesy Derek Eller Gallery unless noted otherwise) Artist, illustrator, and designer Barbara Nessim is one of very few women who found full-time work in the American editorial and commercial arts sphere during the 1960s...
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975)...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...