5:20 minutes
Carolina Caycedo’s practice conveys her very personal passion and relationship to water, as a powerful necessity and spiritual reminder. Esto No Es Agua / This Is Not Water is a portrait of the Las Damas waterfall in the town of Garzón, Huila in Southern Colombia. The video is composed of footage of the waterfall that is at times mirrored, distorted, obstructed, or kaldeiscoped in different ways. Positioning Las Damas as an active participant in environmental conflict, this work acknowledges and asks the viewer to revise and decolonize their practical, cultural, and spiritual relationships with the land. Featuring manipulated sounds produced by the Las Damas waterfall, the soundtrack is mixed with samples of a traditional indigenous millo reed flute.
Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity. The artist uses drawing, photography, film, and performance at venues and vehicles for research and action. Caycedo’s work addresses and laments the corruption of power and the destruction of nature by corporate greed, justified by progress. With regard to pressing concerns of global climate change, causing destruction to communities via droughts and natural disasters, Carolina’s works address the implications and consequences of such carelessness towards the future of the earth and its inhabitants. The artist’s use of technology to mediate these concepts provides a harmonious relationship between content and form. Caycedo’s work offers utopian models to inhabit in a world in which individuals and communities are increasingly subject to commodification, exploitation, and discrimination.
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
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YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...
Searching for We’wha is composed of five photographic triptychs combining photographs from the American West (New Mexico and Arizona) with excerpts from American Indian poetry in an attempt to reconstruct imaginary aspects of the life of We’Wha, a famous member of the Zuni tribe, who was born male but who lived a feminine gender expression...
Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru...
Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...
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