Esto No Es Agua / This Is Not Water

2015 - Film & Video (Film & Video)

5:20 minutes

Carolina Caycedo


Carolina Caycedo’s practice conveys her very personal passion and relationship to water, as a powerful necessity and spiritual reminder. Esto No Es Agua / This Is Not Water is a portrait of the Las Damas waterfall in the town of Garzón, Huila in Southern Colombia. The video is composed of footage of the waterfall that is at times mirrored, distorted, obstructed, or kaldeiscoped in different ways. Positioning Las Damas as an active participant in environmental conflict, this work acknowledges and asks the viewer to revise and decolonize their practical, cultural, and spiritual relationships with the land. Featuring manipulated sounds produced by the Las Damas waterfall, the soundtrack is mixed with samples of a traditional indigenous millo reed flute.


Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity. The artist uses drawing, photography, film, and performance at venues and vehicles for research and action. Caycedo’s work addresses and laments the corruption of power and the destruction of nature by corporate greed, justified by progress. With regard to pressing concerns of global climate change, causing destruction to communities via droughts and natural disasters, Carolina’s works address the implications and consequences of such carelessness towards the future of the earth and its inhabitants. The artist’s use of technology to mediate these concepts provides a harmonious relationship between content and form. Caycedo’s work offers utopian models to inhabit in a world in which individuals and communities are increasingly subject to commodification, exploitation, and discrimination.


Colors:



Other related works, blended automatically  
» see more

YUMA o la tierra de los amigos (YUMA, or the Land of Friends)
© » KADIST

Carolina Caycedo

2014

YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...

Related works sharing similar palette  
» see more

Rele Gallery to open new space in Mayfair, London.
© » FAD MAGAZINE

Rele Gallery to open new space in Mayfair, London...

What We Lose When Curating Follows the Money
© » HYPERALLERGIC

What We Lose When Curating Follows the Money Skip to content Gerhard Richter, "Tante Marianne" (1965), oil on canvas (all photos Olivia McEwan/ Hyperallergic ) LONDON — Something feels off from the introductory lines of the exhibition booklet for Tate Modern’s Capturing the Moment ...

Antigua, Guatemala: Naufus Ramírez-Figueroa, El mensajero del bosque sumergido
© » KADIST

(The Messenger of the Sunken Forest) is the second chapter of a body of work that arises from the research carried out by Naufus Ramírez-Figueroa in December 2017 in the regions of Alta and Baja Verapaz, Guatemala...

‘Poor Things’ Is a Gloriously Anarchic Celebration of Life Without Limits
© » KQED

‘Poor Things’ Review: An Anarchic, Artistic Celebration of Life | KQED Skip to Nav Skip to Main Skip to Footer The Do List ‘Poor Things’ Is a Gloriously Anarchic Celebration of Life Without Limits Rae Alexandra Dec 5 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Emma Stone as Bella Baxter in ‘Poor Things.’ (Searchlight Films) If you happen across a film critic this week who insists that Poor Things is a bad movie, please make a mental note that a) they are lying, and b) they’re probably being a contrarian because they know every other critic on Earth is going to fall over themselves with glee to sing this movie’s praises...

Other works by: » Carolina Caycedo  
» see more

YUMA o la tierra de los amigos (YUMA, or the Land of Friends)
© » KADIST

Carolina Caycedo

2014

YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...

Spaniards Named Her Magdalena, But Natives Called Her Yuma
© » KADIST

Carolina Caycedo

2013

In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

2016

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

Sobre la igualdad y las diferencias: casas gemelas
© » KADIST

Carla Zaccagnini

2005

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...

Almohada
© » KADIST

Mateo Lopez

2011

Mateo Lopez uses paper as a medium to conjure personal experiences...

Related works found in the same semantic group  
» see more

Las Bambas
© » KADIST

Elena Tejada-Herrera

2019

Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru...

Establishing Shot; Interior, Night - Exterior, Day; without Antagonist and Extra (Absefid Waterfall)
© » KADIST

Shahab Fotouhi

2013

Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...

Soft Rock Valley
© » KADIST

Zon Ito

2013

This embroidery on fabric tackles the oneiric and the uncanny to bring about visions of the world...

Ken Gun Min’s Vision of Gay Utopia
© » HYPERALLERGIC

Ken Gun Min’s Vision of Gay Utopia Skip to content Ken Gun Min, “East Hollywood Red Chair” (2023), oil, Korean pigment, silk embroidery thread, 66 x 54 inches (all photos David S...