63:00 minutes
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present. Developed from a literary work, it deconstructs notions of narrative forms, styles and conventions. It is a hybrid piece, an example of the elasticity of the medium. Performance rules in the work and so does presence, theatrical presence, with the invitation to cast the performers as themselves, to bring to the work their own making this work a very fascinating manifestation of a true collaboration with the erasure of authorship.
Michelle Handelman’s video, installation, live performance, and photography works analyze the human sublime in terms of its excess and dullness, providing a sneak peek into a jewel thief’s therapy sessions or following the life of a famous drag queen who experiences her own narcissistic destruction due to her increasing fame. Coming of age during the AIDS crisis and Culture Wars of the 1990s, the artist exposes the complicated spaces in which queer identities exist and transform, questioning the role of gender, race, class, and sexuality. Her works narrate tales of a dark human subconsciousness, putting her spotlight on outsiders and marginalized individuals. Raising philosophical questions around human existence, her characters function to uncover human fears in relation to sexuality, death, and chaos. Her video installations produce visual and psychological sensations for the viewers, inviting them to take part in these narratives. In this way, Handelman invites the viewers to question their own existence, identity, and experiences related to survival and belonging.
The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes...
Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...
Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...