57H x 49W x 56D inches
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip. As his steel outline gleefully makes off with a bag of money and a stack of bills, another icon of affluent America, Uncle Pennybags (otherwise known as the Monopoly Man), is crushed underfoot between two heavy blocks. Behind them lies a broken piggy bank, depicted upside down with eyes X-ed out. The scene represents the collision of two fictional worlds—both geared toward children—in which being well moneyed is assumed to be a universal aspiration. With the free market unleashed, these two nostalgic, seemingly innocuous figures are made to compete against one another in a confrontation that begins to read as sinister.
The Los Angeles–based artist Jason Meadows uses found and manufactured objects to craft idiosyncratic assemblages. Though smart and studied, his constructions are hardly academic. Rich in character development, narrative, and humor, they suggest a position of critical kinship with comics, cartoons, and Hollywood films.
Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
His series, The Golden State, harkens back to his early career and his photographic training...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975)...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works...
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...