Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico. Using pre-Columbian objects and other artifacts from Mexican history, the exhibition aimed to explore various representations of death in the Mexican cultural tradition. Roldán’s works begin with these rich black-and-white photographs and break them apart into fragments, slicing and dismembering the artifacts they depict. Puzzling the pieces back together in altered ways, Roldán’s resulting images reveal lines of fissure, gaps of black, and dislocations in form. These imperfections in the surface of her reconstituted artifacts relate to the imperfect processes of memory and the fragmented inheritance of knowledge and meaning. Ana Roldán works in diverse media such as performance, sculpture, installations, video and collage. Using a wide range of materials, her work is inspired by cultural phenomena: historical events, philosophical ideas, language, systems, reflections on aesthetics; theoretical concepts in general. She studied history at ENAH, Mexico, and fine arts at HKB Bern from 1999-2003. Important exhibitions include soloshows at Badischer Kunstverein and at Kunsthaus Langenthal in 2011 as well as groupshows at Witte de With in Rotterdam 2012 and the participation at Lulennial in Mexico in 2015.
The National Portrait Gallery's Pavilion Cafe | Londonist That Kiosk Outside The National Portrait Gallery Is About To Reopen As A Cafe By Will Noble Will Noble That Kiosk Outside The National Portrait Gallery Is About To Reopen As A Cafe The former ticket booth opens as a cafe on 1 November 2023...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Facing one another, each projection screen of the work Food Fight respectively features Tobias Fike and Matthew Harris preparing multi-course meals at a kitchen counter...
Showcasing a national treasure (via Frontier Myanmar) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 21, 2018 CLOSED OFF for decades, in recent years members of the public have been able to enjoy more time inside the grounds of the Secretariat in downtown Yangon, one of the country’s most historically significant buildings...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Air Con: Who Do You Want To Be When You Grow Up? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 8, 2021 By Dhinesha Karthigesu (1,330 words, 5-minute read) Who do you want to be when you grow up? At the end of the play AIR CON , the character William (Nick Davis) asks the character Asif (Ryan Lee Bhaskaran) this question...
Artists reflect on Success – Art and Cake July 4, 2023 July 4, 2023 Author Artists reflect on Success Amanda Maciel Antunes POLAROID Mount Wilson I’VE GOT TO TELL YOU SOMETHING self portrait I define success by the ability to contribute to the visualization of the invisible, to communicate the incommunicable and define the elusive...