16:57 minutes
Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota. Working against grand narratives and myth-making, Hopinka attempts to provide a clear look towards the participants of the protest movement and the protectors of the water – their testimonies, reflections, and histories. In the film, Cleo Keahna tells about the everyday life of the camp and its difficulties and Terry Running Wild shares his dreams for the future. Dislocation Blues is a singular perspective on a protest that garnered much attention from the media, raising questions about social justice, environmentalism ,and the connection between humanity and nature in a manner that refuses to succumb to pathos and exceeds in maintaining a low-key clarity. Hopinka acknowledges the difficulty in framing a movement that continues to signify many things to many people, not to mention a national story unfolding against a backdrop of extraordinary partisan politics in the United States. The artist describes the work as an attempt to engender empathy that reaches beyond horror and pity. As such, open-ended questions of gender, collaboration, and the media take the place of spectacle and graphic violence against Indigenous People or explicit environmental concerns. Dislocation Blues suggests that in the presently fractured social, political, and geographical landscape, the personal is more political than ever.
Sky Hopinka is from the Ho-Chunk Nation/Pechanga Band of Luiseño Indians. In Portland, he studied and taught chinuk wawa , a language indigenous to the Lower Columbia River Basin. Through personal, documentary, and non-fiction forms of media, Hopinka’s practice focuses on personal positions of homeland and landscape. His work investigates language design and the facets of culture it reproduces and contains, as well as the interplay between access to the known and the unknowable.
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
Christie’s Hong Kong autumn 2023 auctions fetch US$384 million, see strong demand for Asian masterpieces | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “Bad Barber” (2000), by Yoshitomo Nara, sold for HK$51.2 million including fees on November 28 during Christie’s 20th- and 21st-century art evening sale in Hong Kong, part of the auction house’s 2023 autumn sales...
Weekly Picks: Indonesia (23 - 29 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 23, 2018 Top Picks of Indonesia art events in Bali, Bromo, Solo and Jakarta from 23-29 July 2018 In Bali, Uma Seminyak is exhibiting Dolanan , an art show by 4 artists that highlights the world of imagination...
A New Flea Market Brings Holiday Spirit to Downtown San Francisco | KQED Skip to Nav Skip to Main Skip to Footer Frisco Foodies The Downtown San Francisco I Loved Was a Holiday Wonderland Rocky Rivera Dec 14 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link A young Rocky Rivera (right) poses with her beloved wheat color Timberland boot...
Tan Zi Hao produced Pest Control 1110, 709, 428 (or, a Myth for Another) , in response to the Bersih social movement, that catalyzed three rallies on 10th November 2007, 9th July 2011 and 28th April 2012, respectively, to demand a clean electoral roll...
Three Short Films about Women at SeaShorts 2018, George Town | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image courtesy of SEA Shorts August 16, 2018 By Alfonse Chiu (1216 words, five-minute read) The SeaShorts Film Festival ran for its second edition as the official pre-festival to the annual George Town Festival from 1st to 5th August in a radical geographical shift away from the Kuala Lumpur home of its parent organisation, Next New Wave...
Weekly Picks: Singapore (25 – 31 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 25, 2019 NYFA Conference 2019 – Film Industry 101: How Do I Get My Films Made, *SCAPE, 31 March 3pm For a young filmmaker, the road to making a feature film can be daunting; from securing funding to getting the right team for your film, there are many components to pulling a project together...
See What Sold at the Barbara Walters Estate Sale at Bonhams | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
AI Art Generators Lawsuit: Court Declines to Dismiss Artists’ Claims – The Hollywood Reporter Skip to main content By Winston Cho Plus Icon Winston Cho View All February 9, 2024 12:01pm Share this article on Facebook Share this article on Twitter Share this article on Flipboard Share this article on Email Show additional share options Share this article on Linkedin Share this article on Pinit Share this article on Reddit Share this article on Tumblr Share this article on Whatsapp Share this article on Print Share this article on Comment Getty Images Share this article on Facebook Share this article on Twitter Share this article on Flipboard Share this article on Email Show additional share options Share this article on Linkedin Share this article on Pinit Share this article on Reddit Share this article on Tumblr Share this article on Whatsapp Share this article on Print Share this article on Comment Logo text Artists have secured a small but meaningful win in their lawsuit against generative artificial intelligence art generators in what’s considered the leading case over the uncompensated and unauthorized use of billions of images downloaded from the internet to train AI systems...
‘A mosaic of traditions’: Capturing Bangladesh’s most beloved beach - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Two Bangladeshi life guard at the beach of Cox’s Bazar © Ismail Ferdous For his Leica Award-winning body of work, Sea Beach, Ismail Ferdous returned to the seaside of his childhood...
Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Uncomformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...