16:57 minutes
Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota. Working against grand narratives and myth-making, Hopinka attempts to provide a clear look towards the participants of the protest movement and the protectors of the water – their testimonies, reflections, and histories. In the film, Cleo Keahna tells about the everyday life of the camp and its difficulties and Terry Running Wild shares his dreams for the future. Dislocation Blues is a singular perspective on a protest that garnered much attention from the media, raising questions about social justice, environmentalism ,and the connection between humanity and nature in a manner that refuses to succumb to pathos and exceeds in maintaining a low-key clarity. Hopinka acknowledges the difficulty in framing a movement that continues to signify many things to many people, not to mention a national story unfolding against a backdrop of extraordinary partisan politics in the United States. The artist describes the work as an attempt to engender empathy that reaches beyond horror and pity. As such, open-ended questions of gender, collaboration, and the media take the place of spectacle and graphic violence against Indigenous People or explicit environmental concerns. Dislocation Blues suggests that in the presently fractured social, political, and geographical landscape, the personal is more political than ever.
Sky Hopinka is from the Ho-Chunk Nation/Pechanga Band of Luiseño Indians. In Portland, he studied and taught chinuk wawa , a language indigenous to the Lower Columbia River Basin. Through personal, documentary, and non-fiction forms of media, Hopinka’s practice focuses on personal positions of homeland and landscape. His work investigates language design and the facets of culture it reproduces and contains, as well as the interplay between access to the known and the unknowable.
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
Christie’s Hong Kong autumn 2023 auctions fetch US$384 million, see strong demand for Asian masterpieces | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “Bad Barber” (2000), by Yoshitomo Nara, sold for HK$51.2 million including fees on November 28 during Christie’s 20th- and 21st-century art evening sale in Hong Kong, part of the auction house’s 2023 autumn sales...
You Won! - Steve Lambert You Won! - Steve Lambert Steve Lambert has a book coming out Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA December 2021 Work Art of Activism Book , Center for Artistic Activism , Prints , risograph 11×17 (approx) 2-color Risograph Print on French Paper Printed at Eureka House in Kingston, NY Illustration from The Art of Activism book Available as a thank you for 2021 donors to the Center for Artistic Activism Share this: Twitter Facebook Related Posts November 07, 2021 Art and Fear of Propaganda Work June 19, 2021 The Art of Activism – Pre-order the Book News October 04, 2020 Talk at frank Gathering Talks September 28, 2020 Living the City Exhibition – Berlin Exhibitions June 07, 2020 Conversation with Avram Finkelstein Talks May 10, 2020 Free the Vaccine for COVID-19 Work May 03, 2020 Teaching artistic activism through infomercials Studio Log January 22, 2020 Frank Gathering 2020 Talks August 25, 2019 508 at Seattle City Hall Work August 18, 2019 Delays Mean Deaths site Work July 27, 2019 Laser cut case for HC-SR04 Ultrasonic Sonar Sensor News November 21, 2018 Macedonia Art Action Academy 2018 Work November 05, 2018 Art as Social Action Work October 28, 2018 2018 C4AA Print: The Jedi Mind Trick For Sale October 25, 2018 C4AA at Yale Talks October 22, 2018 C4AA in Macedonia Work April 30, 2018 Cancel the Apocalypse at Re:Publica Talks December 27, 2017 C4AA Workshop in Guinea, West Africa News December 15, 2017 Imagine Winning For Sale November 21, 2017 I HEART SCS Print series Work April 25, 2017 3 Workshops in April/May Talks April 15, 2017 Fight Back Pack #2: Defend U...
Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
The Lonely Age by Connie Zheng is the first chapter in a trilogy of short experimental films about the complex temporalities of navigating ongoing environmental crises, as seen through the lens of seeds real and imagined...
Three Short Films about Women at SeaShorts 2018, George Town | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image courtesy of SEA Shorts August 16, 2018 By Alfonse Chiu (1216 words, five-minute read) The SeaShorts Film Festival ran for its second edition as the official pre-festival to the annual George Town Festival from 1st to 5th August in a radical geographical shift away from the Kuala Lumpur home of its parent organisation, Next New Wave...
‘A mosaic of traditions’: Capturing Bangladesh’s most beloved beach - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Two Bangladeshi life guard at the beach of Cox’s Bazar © Ismail Ferdous For his Leica Award-winning body of work, Sea Beach, Ismail Ferdous returned to the seaside of his childhood...
AI Art Generators Lawsuit: Court Declines to Dismiss Artists’ Claims – The Hollywood Reporter Skip to main content By Winston Cho Plus Icon Winston Cho View All February 9, 2024 12:01pm Share this article on Facebook Share this article on Twitter Share this article on Flipboard Share this article on Email Show additional share options Share this article on Linkedin Share this article on Pinit Share this article on Reddit Share this article on Tumblr Share this article on Whatsapp Share this article on Print Share this article on Comment Getty Images Share this article on Facebook Share this article on Twitter Share this article on Flipboard Share this article on Email Show additional share options Share this article on Linkedin Share this article on Pinit Share this article on Reddit Share this article on Tumblr Share this article on Whatsapp Share this article on Print Share this article on Comment Logo text Artists have secured a small but meaningful win in their lawsuit against generative artificial intelligence art generators in what’s considered the leading case over the uncompensated and unauthorized use of billions of images downloaded from the internet to train AI systems...
Help reorient responsibility towards to our natural neighbors with our Kickstarter for Kamala Sankaram's 'The Last Stand' - Creative Time Help reorient responsibility towards to our natural neighbors with our Kickstarter for Kamala Sankaram’s ‘The Last Stand’ April 22nd, 2021 Tweet Email Today, Creative Time launches a Kickstarter campaign in support of artist Kamala Sankaram’s first public artwork, The Last Stand , which opens this July in New York...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...