In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text. The performance begins with two broad-knife-wielding characters circling each other in conventional operatic steps. Oblivious to the presence of these two on stage, additional characters, in a mix of period costume and contemporary dress, enter the stage in increasing droves to consume a various of foods laid out on a table until they collapse and pile on top of each other. Invoking the traditional Chinese theatrical trope of a “three-way fork in the road,” the piece ruminates on the representation of the visible and the invisible and the simultaneity of past and present as critical reflection on the shortcomings of both antiquarianism and technocratic modernity.
Born in Sichuan Province, China in 1958, Wang Jianwei was trained as a painter at the Zhejiang Academy of Fine Arts (current China Academy of Fine Arts) in Hangzhou. Despite displaying technical virtuosity as a painter, Wang chose a working method that combines video, film and theater. Interested in combining the mundane, the historical, and the mythological, Wang’s works range from depicting the “plight of peasants occupying an abandoned housing project in Sichuan Province to films of post-1949 China during the height of Communist fervor and stories from the Tang Dynasty.” Particularly, poignant is the cognitive dissonance formed between presentations of the past and present in Wang’s work.
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
In New Mexico, Camacho investigated the reasons why the inhabitants of a village decided to change its name Truth or Consequences in the 50’s; with Group Marriage, an on-going project as part of the Amsterdam Spinoza Manifestation (2009), he petitions the Dutch parliament to open civil marriage to groups of citizens who would marry each other...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...