100 x 66.68 cm
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention. Many of his works operate a distancing which is forced through the reconstitution of memory, distanced from reality. The beauty of these images lie often in the colors which cover the sky or the light which falls on the body of a child, shifting the viewer into a world that is as unreal as it is spectacular.
Harit Srikhao perceives photography as a culturally determined medium. His practice aims to unveil the capacity of the photographic image to construct historical authority and serve as propaganda. Blending fiction and reality, he aims to interrogate systems of control through which people perceive themselves, others, and the world that surrounds them. He continually probes the role assigned to truth, particularly in the history of the construction of the nation, when governing forces interfere with religion, monarchy and army. These works underline the ambiguity between social and cultural discourses which surround photography in Thailand which are very distant from Western theories of artistic photography from the 1980s and 1990s. For him photography is a tool to shed light on facts which have not been exposed by documentary photography.
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“Cloth as Land” at JMKAC Presents Textiles as a Wellspring of Hmong Indigeneity Skip to content Ger Xiong/Ntxawg Xyooj, “I sat closely and watched it crumble and unraveled and crumbled and unraveled and...” (2023), Coca-Cola can and embroidery thread (image courtesy the artist) HMong* indigeneity is complicated by centuries of political conflicts, displacement, erasure, and disorientation in HMong homelands of China and Southeast Asia...
Naufus Ramírez-Figueroa’s performance Illusion of Matter establishes a dream state through a composition of motifs that were drawn from the artist’s childhood memories...
We truly believe that art is for everyone: Kiran Nadar | Mint Lounge advertisement | Logout Log in/Register Home News Big Story Opinion Talking Point Food Cook Drink Discover Fashion Trends Shop Beauty How To Lounge Movies & Tv Art & Culture Books Smart Living Environment Innovation Health Wellness Fitness Relationships Raising Parents It's Complicated Pets Brand Stories Bookmarks Photos Videos Big Story Opinion Talking Point Latest Issue About Us Privacy Policy Terms And Conditions new-article 111628248444886 https://lifestyle.livemint.com story https://lifestyle.livemint.com How To Lounge /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html https://images.livemint.com/img/2021/08/06/68x68/Kiran_Nadar_Revised_1628248685275_1628248709909.jpg Home News Food Fashion How To Lounge Smart Living Health Relationships PHOTOS VIDEOS QUICK READS Home > How To Lounge > Art & Culture > We truly believe that art is for everyone: Kiran Nadar We truly believe that art is for everyone: Kiran Nadar As Kiran Nadar Museum of Art enters its second decade, its founder reflects on the journey so far and plans to open yet another museum in Delhi /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html 111628248444886 story Kiran Nadar, the founder of KNMA...
Pesellino review – a lost star of the Florentine Renaissance shines again | Exhibitions | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Almost psychedelic blues, reds and golds’ … The Pistoia Trinity altarpiece, c 1455-60, showing in Pesellino: A Renaissance Master Revealed at the National Gallery...
Sélection galerie : Sophie Vigourous chez Jousse Entreprise Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « 8 of Cups » (2022), de Cecilia Granara...