This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness.
George Pfau’s work explores marginal and transitional states of being. Decaying bodies and exposed buildings populate his work. His interest in the in-between also extends to material techniques, as Pfau’s pieces are often built in layers and remain semi-transparent. His renderings range between the precisely illustrated and the blurry forms of becoming, but all retain a sense of flux, both of juxtaposition and decomposition.
On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening...
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...