For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography. The two works in the KADIST collection are a continuation of these forms with in the medium of sculpture.
Brian D. Tripp was born in Eureka, California in 1945 with Karuk ancestry, from the Klamath upriver watershed. Tripp has been deeply involved with ceremonial culture throughout his life with exhibitions and posts placing him at the forefront of an important California Native American artistic and cultural renaissance.
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...
Video: new posters on display | Blog | Royal Academy of Arts Poster Bar by José Video: new posters on display Read more Become a Friend Video: new posters on display Published 22 August 2023 Watch our team refresh our iconic Poster Bar for the first time since 2018, featuring 21 new posters from our past exhibitions...
Vietnam's visual arts and COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Nguyen Duc Phuong July 30, 2020 By Quyen Hoang (2,100 words, 8-minute read) On a rainy evening towards the end of May 2020, it seemed like Saigon’s most dapper guys and modish gals all flocked to Galerie Quynh...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...