2,45 min
«I will put two heavy stones in my jacket pockets that way my body will sink deep like a deflated truck tire, no one will notice», this excerpt from “Quay West” by Koltès could echo the story depicted by Katinka Bock: the shipwreck of a small boat full of stones. The grain of the image and the framing evoke distant times, maybe the origins of cinema and the footage of the Lumière brothers. The operator’s gaze creates a landscape undetermined in space and time. An encounter between density and liquid: the effect produced is strange and paradoxical since the rocks are floating, temporarily denying gravity. It is also an aesthetic study of the liquid and the mineral, a confrontation between the fluid and the rough, a combination of the wave and the shape.
The city, the landscape and the exhibition space are Katinka Bock’s favored playgrounds. Her installations, sculptures, films and photographs question the spaces of action and representation, in their daily and political use, through the prism of aesthetics and poetry. Katinka Bock makes changes to the landscape. In « Sol d’incertitude » (2006) the artist removes (Parisian cobblestones), quotes (a history of mobility), and modifies (tar coating). These actions function as small rituals. « Das Konservat » (2003), a 3 meter high wooden fence enclosing 2500 square meters of grass, acts like a cutting in the landscape, reminiscent perhaps of the ‘temenos’ (in Ancient Greece, sacred space in open air dedicated to a god). Although Bock’s objects are visually mute, they tell stories. For the exhibition « Kanon » (La Synagogue de Delme, 2008), a drama of materials occurred; the sculptures were transformed into still lives, with a fragile monumentality. Katika Bock was born in Frankfurt am Main in 1976. She lives and works in Paris and Berlin.
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...
Eight opens with a close up of a painting by Hubert Robert of the Chateau de Chamarande where the film was shot...
In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
CIRCA collaborates with Anne Imhof to present #YOUTH24 - a 24-hour print fundraiser...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...